FRANKINSCENSE
by Charlie Finch



The career of Natalie Frank, whose challenging solo show of fleshy new paintings just opened at Mitchell-Innes & Nash in Chelsea, would not have been possible ten years ago. The arch eroticism of John Currin, the kitschy bentness of Odd Nerdrum and the market’s celebration of distortion and ugly beauty in Lucien Freud have made Frank possible.

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