by Charlie Finch
In her rave review of "Pablo Picasso: Mosqueteros," the exhibition of late Picasso paintings at Gagosian Gallery in Chelsea, Roberta Smith writes, "Like the 1908 masterpiece Demoiselles d’Avignon
, these works turn painting inside out. If they have not similarly changed the course of art history, give them time." To which I reply, "Have you ever heard of George Condo?"