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Marie-Josée Croze in Julian Schnabelís The Diving Bell and the Butterfly (2007)
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by Charlie Finch

Those whose experience of Julian Schnabel has been one of enduring his overarching, humorless exclusionary egomania have been successively surprised to discover a sensitive side to the lumpy dauber in his justly praised trilogy of films, Basquiat, Before Night Falls and The Diving Bell and the Butterfly.


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