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Brice Marden’s Number 1 (1963) and Taddeo di Bartolo’s Saint Francis of Assisi (ca. 1395)
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by Charlie Finch

Richard Feigen, who long ago retired the trophy as America’s handsomest art dealer, held a rare vernissage at his East 69th Street aerie last week. The occasion was "Sublime Convergence," a group show bizarrely mingling quattrocento gold-ground masterpieces -- provided with the assistance of the respected Moretti Fine Art in Firenze -- with small Ab Ex masterworks borrowed from uptown boites such as PaceWildenstein.