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Ellsworth Kelly’s Blue Green Yellow Orange Red (1966), on left, and Orange/Red Relief (1959) at the Guggenheim Museum in 2004
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INTERNATIONAL MAN OF MYSTERY
by Charlie Finch



Like Jay Gatsby or Charles Foster Kane, Thomas Krens, who is completing his 20-year-long reign as the head of the Guggenheim Foundation and its assorted satellites, was a fictional figure addicted to grand gestures which kept him at arm’s length from the public he served. More than anyone else, Krens manufactured the global art world whose bounty continues to enrich the art plutocracy today.

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