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David Altmejd in "Skin Fruit" at the New Museum
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WHO IS DAKIS JOANNOU?
by Charlie Finch



One of the neat things about the art world and the plutocrats it serves is that gushing press about collections and the minor curatorial controversies they engender acts as an iron veil over the operations and interstices which create vast capital, a minor slice of which is used to buy blue chip art

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