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“The Painting Factory: Abstraction After Warhol,” installation view, 2012, MOCA, Los Angeles
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by Hunter Drohojowska-Philp

By now, it seems clear that the Museum of Contemporary Art Los Angeles has become a mirror of the tastes, loyalties and passions of its director, Jeffrey Deitch. Since coming on board in 2010, he has proceeded to transform the museum into a larger, nonprofit version of Deitch Projects, the New York gallery he helmed from 1996 until he closed it to move west.


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