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Yoko Ono’s Cut Piece (1965)
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WHITE WALLS,
GLASS CEILING

by Ben Davis



It’s March 2007 and feminism is again hot in the art world, with important historical exhibitions of feminist art opening in Los Angeles ("WACK!" at LA MOCA) and New York ("Global Feminisms" at the Brooklyn Museum), plus many smaller shows on view at galleries and alternative spaces. This flurry of interest is, one hopes, an occasion for the art world to get to the heart of its own problem with women.

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