Picasso paintings installed at the Salon d’Automne 1944 (also called Salon de la Libération), Picasso’s first exhibition in Paris since the German occupation
How did André Derain, Maurice de Vlaminck, Andre Dunoyer de Segonzac and Henri Matisse fare in Paris during the Nazi occupation 1940-44? Given that their Fauve works in German museums had been seized by the Nazis, sold for cash or possibly destroyed in a bonfire of degenerate art, were they and their works then banned in France?
