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Featured Writers
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Featured Columns
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PATCHING IT OVER by Donald KuspitSept. 30, 2009
Conrad Marca-Relli may have been written out of art history -- there’s no mention of him in H. H. Arnason’s magisterial History of Modern Art (even though, in his 1971 book on Marca-Relli, Arnason celebrated his special place in the history of collage) -- but the exhibition at Knoedler & Co. in Manhattan of Marca-Relli’s "New York Years 1945-1967" makes it clear that he not only has special place in the particular history of collage but a crucial place in the general history of modern art.
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Sept. 2, 2009
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THE VARIETIES OF BODYby Donald Kuspit
The National Academy Museum’s "Reconfiguring the Body in American Art, 1820-2009."
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May 21, 2009
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THE ULTIMATE REALISTby Donald Kuspit Graham Nickson’s "Italian Skies" balance inner and outer beauty.
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Apr. 8, 2009
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Asia on My Mindby Donald Kuspit "The Third Mind: American Artists Contemplate Asia, 1860-1989" at the Guggenheim Museum.
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Mar. 19, 2009
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Berlin, Mon Amourby Donald Kuspit A visit to two collections of Surrealist art, Peter Eisenman’s Holocaust Memorial, and more, in Berlin.
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Dec. 8, 2008
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SPANISH ABSTRACTIONby Donald Kuspit Elie Halioua’s abstract paintings reach for the "incommunicado core of the self."
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Nov. 24, 2008
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ZEN ABSTRACTIONby Donald Kuspit In Philadelphia, new sculptures, and sets for Fidelio, by Jun Kaneko.
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Sept. 11, 2008
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THE TRIUMPH OF SHITby Donald Kuspit Andres Serrano, Paul McCarthy and the avant-garde artist as an anal masturbator.
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May 13, 2008
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THE ADVANCE OF BEAUTYby Donald Kuspit Thomas Chimes and Lynda Benglis at Locks Gallery in Philadelphia.
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Apr. 4, 2008
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THE WATER OF LIFEby Donald Kuspit Fabrizio Plessi’s islands of digital art.
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Nov. 21, 2007
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NOT A FAIRY TALEby Donald Kuspit Judy Fox’s Snow White and the Seven Sins.
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July 18, 2007
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HYPING SERRAby Donald Kuspit Is Richard Serra’s sculpture the Titanic of avant-garde abstraction?
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May 5, 2007
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THE AURA OF TIMELESSNESSby Donald Kuspit Desert images by Mel Pekarsky and Berber portrait photographs by Lazhar Mansouri.
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Mar. 29, 2007
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THE PAINTERLY FIGUREby Donald Kuspit Jörg Immendorff, Odd Nerdrum and Nora Speyer engage a truly human esthetic.
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Dec. 13, 2006
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PROVOCATIVE REALISM
by Donald Kuspit New Objectivist portraiture in "Glitter and Doom" at the Metropolitan Museum.
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Nov. 10, 2006
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DOT DELIRIUM
by Donald Kuspit
Jennifer Bartlett’s early plate works.
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Oct. 26, 2006
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BOTERO’S HUMANISM
by Donald Kuspit
Fernando Botero’s paintings of Abu Ghraib.
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Oct. 13, 2006
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LUCAS THE LOVABLE
by Donald Kuspit
Avant-garde narcissism in new works by Lucas Samaras.
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Oct. 5, 2006
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SACRED SADNESS
by Donald Kuspit
Sean Scully’s Romantic geometry.
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Aug. 25, 2006
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A CRITICAL HISTORY OF 20TH-CENTURY ART
by Donald Kuspit
Chapter 10, Part 2: The Decadence of Advanced Art and the Return of Tradition and Beauty: The New as Tower of Conceptual Babel: The Tenth Decade.
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Aug. 16, 2006
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GIRODET’S SENSATIONALISM
by Donald Kuspit
Charismatic rebel or kitsch romantic? Populism, eroticism and revolution in David’s greatest student.
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Mar. 14, 2006
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Unstable Nudity
by Donald Kuspit
Robert Graham’s new nudes have a nonconformist primordiality.
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Dec. 27, 2005
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A CRITICAL HISTORY OF 20TH-CENTURY ART
by Donald Kuspit
In the introduction to his new book, to be published in Artnet Magazine, the author examines the rise of the avant-garde.
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SOCIAL STRUCTURE
by Donald Kuspit
Cheryl Goldsleger’s paintings and drawings resurrect the designs of utopian women architects.
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