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RUNNING, JUMPING, STANDING STILL
by Charlie Finch

Apr. 21, 2008

Fifteen years on, Elizabeth Peyton continues to do the same thing, which has been a good strategy, considering that her new pocket-size paintings at Gavin Brown are sold out at $6,000 a square inch.

...more

Charlie Finch Archives for 2008
Apr. 18, 2008
FEAR STRIKES OUT
by Charlie Finch
Boycott the Olympics, and boycott contemporary Chinese art.
Apr. 17, 2008
FAKE IT 'TIL
YOU MAKE IT

by Charlie Finch
Olafur Eliasson and the illusion of taste.
Apr. 8, 2008
THE THREAT OF LOVE
by Charlie Finch
Walter Robinson puts the error back in eros.
Apr. 4, 2008
WHITE MEN CAN’T PAINT!
by Charlie Finch
Morgan Neville’s new film, The Cool School, on the early Los Angeles art scene.
Mar. 31, 2008
HANGING AT THE HORTS’
by Charlie Finch
Talk of Marlene Dumas, Richard Tuttle and Jimmy Page at Susan and Michael Hort’s private view during Armory weekend.
Mar. 26, 2008
A BROWN WORLD
by Charlie Finch
Painter Deborah Brown captures natural New York.
Mar. 21, 2008
CHEERS!
by Charlie Finch
A few words occasioned by Eduardo Sarabia’s Salon Aleman at the Park Avenue Armory.
Mar. 20, 2008
THE RETURN OF MAX ESTENGER
by Charlie Finch
New works by the artist from Queens.
Mar. 19, 2008
BETWITCHED
by Charlie Finch
New psychedelic allegories from Lane Twitchell.
Mar. 18, 2008
NOT SO WEI OUT
by Charlie Finch
Ai Weiwei’s Descending Light at Mary Boone Gallery.
Mar. 17, 2008
STARWALKERS
by Charlie Finch
Naked wonder from Richard Dupont at Lever House.
Mar. 14, 2008
MY DINNER WITH SIMON
by Charlie Finch
Veteran curator Simon Watson and the contemporary art banquet.
Mar. 11, 2008
DOOBY DOOBY DUBAI
by Charlie Finch
A modest proposal for art in the Middle East.
Mar. 4, 2008
BIENNIAL FOR ONE
by Charlie Finch
Go to Facebook for your own Whitbash 2008.
Feb. 28, 2008
INTERNATIONAL MAN OF MYSTERY
by Charlie Finch
Thomas Krens, father of the global art plutocracy.
Feb. 27, 2008
GRIDLOCK
by Charlie Finch
"Color Chart" at the Museum of Modern Art.
Feb. 26, 2008
CHILDHOOD’S END
by Charlie Finch
Anna Craycroft, orphans and hope, and Obama as Manchild.
Feb. 22, 2008
THE LAST PICTURE SHOW
by Charlie Finch
Painter Chris Martin provides Chelsea with its final triumph.
Feb. 22, 2008
DR. STRANGE
by Charlie Finch
Baird Jones, 1954-2008.
Feb. 20, 2008
GET SMART
by Charlie Finch
"Design and the Elastic Mind" at MoMA.
Feb. 19, 2008
LOVE FOR SALE
by Charlie Finch
Peeking at the market for Miroslav Tichy.
Feb. 14, 2008
BROAD MINDED
by Charlie Finch
Swaping curatorial souls for the favors of the wealthy.
Feb. 11, 2008
THE WAY IT WAS
by Charlie Finch
The modest beginnings of legendary dealer Richard Bellamy.
Feb. 7, 2008
FATHERS AND SONS
by Charlie Finch
At the Museum of Biblical Art, "The Art of Forgiveness: Images of the Prodigal Son."
Feb. 6, 2008
LET THEM EAT WATER
by Charlie Finch
Olafur Eliasson’s "Waterfalls" is just for the good of New Yorkers.
Feb. 4, 2008
A COSMIC JOKE
by Charlie Finch
Robert Smithson’s Spiral Jetty was designed to be passive.
Jan. 28, 2008
CRITICAL MASS
by Charlie Finch
The keys to the art-critical kingdom.
Jan. 22, 2008
LATE BLOOMER
by Charlie Finch
Nobuhiro Ishihara’s symbolic creatures.
Jan. 18, 2008
CUT AND PASTE
by Charlie Finch
"Fit to Print" at Gagosian Gallery in New York.
Jan. 17, 2008
REPETITIVE STRESS
by Charlie Finch
Zhang Peili provides a chilling look at the world’s oldest civiliation.
Jan. 14, 2008
PENNMANSHIP
by Charlie Finch
Steely esthetic asceticism from Irving Penn.
Jan. 9, 2008
NAVAL GAZING
by Charlie Finch
Julian Schnabel’s new "Navigation Drawings."
Jan. 7, 2008
WHAT MAKES A MASTERPIECE
by Charlie Finch
A tale of the art market, 2008.
Jan. 4, 2008
OUT ON A LIMB FOR 2008
by Charlie Finch
Scoping out the new year.
Charlie Finch Archives for 2007
Dec. 29, 2007
THE ASHES OF CHARISMA
by Charlie Finch
Contemporary artists and their pretensions.
Dec. 21, 2007
A CHRISTMAS EVE MEMORY
by Charlie Finch
New York City in the 1950s.
Dec. 19, 2007
TROLLING AT THE TROLL
by Charlie Finch
A new museum opens on the Lower East Side.
Dec. 14, 2007
ART AND THE PRESIDENCY
by Charlie Finch
Art takes a leave from the 2008 campaign.
Dec. 12, 2007
CRAP ON CRAP
by Charlie Finch
Lucian Freud’s inferior art.
Dec. 7, 2007
CLASSICS AND COMMERCIALS
by Charlie Finch
Selling art and selling out.
Dec. 3, 2007
WEEKDAY UPDATE
by Charlie Finch
A single masterpiece on view in New York’s Chelsea art district.
Nov. 30, 2007
EVE OF DESTRUCTION
by Charlie Finch
Employing entropy in the world of art.
Nov. 28, 2007
WATTS UP
by Charlie Finch
Sober symbolism in new paintings by Ouattara Watts.
Nov. 26, 2007
SPECTACULAR SHOW
by Charlie Finch
Symbols of transformation from Indian artist Bharti Kher.
Nov. 21, 2007
ESTRANGED IN A STRANGE LAND
by Charlie Finch
Hu Xiangdong packages China for consumption.
Nov. 20, 2007
THE VIRTUES OF TRANSPARENCY
by Charlie Finch
Time to smash open the doors of auctionland.
Nov. 12, 2007
DUPED!
by Charlie Finch
New homonculi from cybersculptor Richard Dupont.
Nov. 8, 2007
PECULIAR INSTITUTIONS
by Charlie Finch
Remembering galleries of times past.
Nov. 2, 2007
BLACK BOX
by Charlie Finch
Douglas Gordon’s new burnt-Warhol-on-mirror works.
Nov. 1, 2007
A LOST OPPORTUNITY
by Charlie Finch
Martin Puryear at the Museum of Modern Art.
Oct. 26, 2007
A NOT-SO-VAST RIGHT-WING CONSPIRACY
by Charlie Finch
The art blogs and their nonexistent readers.
Oct. 25, 2007
A SHOEBOX SHOW
by Charlie Finch
Park Avenue Bank hosts a show of works by 20th-century women artists.
Oct. 23, 2007
I AM STONED (ARE YOU STONED?)
by Charlie Finch
The secret Conceptual Art techniques of Lawrence Weiner.
Oct. 18, 2007
CHINA DOLLARS
by Charlie Finch
What’s behind the boom in Chinese contemporary?
Oct. 16, 2007
POPULAR PAINTINGS
by Charlie Finch
"XXL: Size Matters" at the Hudson Valley Center.
Oct. 12, 2007
ART ABOUT LIFE
by Charlie Finch
Lisa Yuskavage versus death.
Oct. 10, 2007
ART INFLAMES
by Charlie Finch
Vandalizing Andres Serrano in Sweden.
Oct. 5, 2007
VOLUNTEER SLAVERY
by Charlie Finch
Kara Walker and the injection of sex into horror.
Sept. 28, 2007
PRINCE CHARMING
by Charlie Finch
Richard Prince, market Leviathan.
Sept. 27, 2007
GOODBYE GLENN
by Charlie Finch
Hello Halbreich -- staff changes at the Museum of Modern Art.
Sept. 26, 2007
OLD SCHOOL
by Charlie Finch
André Emmerich, 1924-2007
Sept. 25, 2007
LOOKING
by Charlie Finch
When the eye is not invited in.
Sept. 21, 2007
FRANKINSCENSE
by Charlie Finch
Natalie Frank’s new paintings are both disturbing and entrancing.
Sept. 19, 2007
THE TALENT
by Charlie Finch
Hollywood stars and art stars, both dim.
Sept. 12, 2007
MIXED MESSAGES
by Charlie Finch
Marian Goodman Gallery celebrates its 30th anniversary.
Sept. 10, 2007
ANOTHER OPENING, ANOTHER SHOW
by Charlie Finch
Deborah Kass at Kasmin -- and Bottino -- plus the Collector Fair.
Sept. 7, 2007
DARKNESS VISIBLE
by Charlie Finch
On Lisa Ruyter: One Million Postcards.
Sept. 5, 2007
The return of midcareer
by Charlie Finch
A glance at the contemporary gallery offerings in New York this fall.
Aug. 23, 2007
ART OPPORTUNITIES
by Charlie Finch
A change in market values means a change in art values.
Aug. 17, 2007
HOW HE PAINTS HIS MASTERPIECE
by Charlie Finch
Waiting for Bob Dylan’s painting exhibition.
Aug. 13, 2007
JUST BRUCE
by Charlie Finch
Bruce Wolmer, 1948-2007, RIP.
Aug. 6, 2007
LIQUID SKIES
by Charlie Finch
Will the hedge fund crisis sink the art market?
July 30, 2007
A BIZARRE COLLECTOR
by Charlie Finch
A visit to Kykuit, the estate of the now-forgotten Nelson Rockefeller.
July 23, 2007
THEREMY
by Charlie Finch
Remembering Theresa Duncan and Jeremy Blake.
July 19, 2007
A WORLD WITHOUT WARHOLS
by Charlie Finch
With Andy, the "authenticity" issue is absurd.
July 12, 2007
ORWELL ON DALÍ
by Charlie Finch
Is artistic freedom morally neutral?
July 7, 2007
FORM THING
by Charlie Finch
The lesser offerings are the thing at Storm King Art Center.
June 27, 2007
STINGELESE
by Charlie Finch
Rudolf Stingel’s graffiti art at the Whitney Museum.
June 25, 2007
WHAT ART SAYS ABOUT MONEY
by Charlie Finch
The love call of currency.
June 18, 2007
SIMPLE THINGS
by Charlie Finch
Seeking small moments of mildly enlightened distinction.
June 13, 2007
DAMIEN HIRST JUMPS THE SHARK
by Charlie Finch
The YBA star flogs a $100-million diamond skull.
June 4, 2007
JERSEY TRANSIT
by Charlie Finch
If you ride Jersey Transit, you don’t need Richard Serra.
May 24, 2007
I’VE GOT THEM OL’ COSMIC FILLMORE EAST BLUES AGAIN
by Charlie Finch
On the occasion of "Summer of Love" at the Whitney Museum.
May 17, 2007
REMEMBERING JONATHAN
by Charlie Finch
A memorial for art scribe and Asia hand Jonathan Napack.
May 5, 2007
WHATEVER HAPPENED TO DAVID ROCKEFELLER?
by Charlie Finch
Mark Rothko’s White Center (1950) hits the auction block.
May 4, 2007
MURAKAMI AND THE MURPHYS
by Charlie Finch
Parallel manifestations of Sara and Gerald Murphy and Takashi Murakami.
Apr. 26, 2007
PRINCE FEIGEN
by Charlie Finch
The quattrocento meets Ab Ex in "Sublime Convergence" at Richard L. Feigen & Co.
Apr. 18, 2007
BITS AND PIECES
by Charlie Finch
Rummaging through old Manhattan with photographer Kevin Landers.
Apr. 9, 2007
PECULIAR PEARLS
by Charlie Finch
Dead calm in Philip Pearlstein’s paintings.
Apr. 4, 2007
WHAT YOU SEE IS WHAT YOU SEE
by Charlie Finch
"Blue Cage Sculptures" by Rebecca Smith.
Mar. 27, 2007
RADICAL ETHIOPIA
by Charlie Finch
The African Christ in Ethiopian art.
Mar. 22, 2007
SPECIAL OPS
by Charlie Finch
Reticent retinal art, and more, on Madison Avenue.
Mar. 15, 2007
SPRING OASIS
by Charlie Finch
The Hammond Museum and Japanese Stroll Garden.
Mar. 7, 2007
STUBBED
by Charlie Finch
George Stubbs is as much an ironist as an avatar of the sublime.
Mar. 5, 2007
CINDERELLA
by Charlie Finch
Loving Cindy Sherman as she swans into middle age.
Feb. 26, 2007
DISAPPEARING ACTS
by Charlie Finch
What’s new in Artland.
Feb. 21, 2007
LOVE IN THE RUINS
by Charlie Finch
Gordon Matta-Clark at the Whitney Museum.
Feb. 12, 2007
DILL VERSUS PRINCE
by Charlie Finch
Lesley Dill and Richard Prince at the Neuberger Museum.
Feb. 9, 2007
THE GILDED CAGE
by Charlie Finch
Imagining the 2008 Whitney Biennial.
Feb. 5, 2007
THE PROBLEM OF THE MUSE
by Charlie Finch
A figure one wants so to behold but never to be.
Jan. 26, 2007
A NEW MARKET THEORY OF ART
by Charlie Finch
Is everyone making money, or is the money making them?
Jan. 17, 2007
WITHIN THE CONTEXT OF NO CONTEXT
by Charlie Finch
Doug Aitken turns MoMA into an outdoor Cineplex.
Jan. 10, 2007
TWO THIEVES
by Charlie Finch
The bohemian and the ubercollector.
Jan. 2, 2007
THE WAY WE WERE
by Charlie Finch
Remembering art as a part of life.
Charlie Finch Archives for 2006
Dec. 14, 2006
THE BIBLE TELLS ME SO
by Charlie Finch
Photographer Alix Smith, plus contemporary art, at the new Museum of Biblical Art in Manhattan.
Dec. 7, 2006
ROBERT ROSENBLUM, 1927-2006
by Charlie Finch
The art world’s great populist.
Dec. 6, 2006
TANIGUCHI’S REVENGE
by Charlie Finch
The Museum of Modern Art unveils its new Education Building.
Nov. 28, 2006
PICKING AND CHOOSING AT DIA BEACON
by Charlie Finch
Minimalism lives in a converted factory in a Hudson River mill town.
Nov. 20, 2006
THE CARNIVAL STOPS FOR A GRAY DAY
by Charlie Finch
On Agnes Martin and Kiki Smith.
Nov. 14, 2006
SEDUCED AND ABANDONED
by Charlie Finch
Who says New York needs a museum of contemporary art?
Nov. 6, 2006
PAINTING THE TAPE
by Charlie Finch
Hedge funds and the art market.
Oct. 27, 2006
WHAT BECOMES A LEGEND LEAST
by Charlie Finch
Brice Marden at MoMA.
Oct. 19, 2006
MISSION CREEP
by Charlie Finch
The new catchword for museoexecs.
Oct. 12, 2006
ONE GOOD PRINT
by Charlie Finch
Prints and editions from Europe at MoMA.
Sept. 29, 2006
PICASSO THE CONSERVATIVE
by Charlie Finch
At the Whitney Museum, how Cubism retarded American Art.
Sept. 19, 2006
THE FAILURE OF DE MONTEBELLO
by Charlie Finch
Taking apart the Met chief’s latest pronouncements.
Sept. 11, 2006
POOLS OF WONDER
by Charlie Finch
Alchemy and a hint of claustrophobia in Isca Greenfield-Sanders visions of suburbia.
Aug. 29, 2006
CRITIC AGONISTES
by Charlie Finch
Skunks and art critics.
Aug. 7, 2006
A QUIRKY COLLECTOR
by Charlie Finch
Museum founder Roy Neuberger was one of a kind.
Aug. 1, 2006
FEET OF CLAY
by Charlie Finch
Since when does money create masterpieces?
July 14, 2006
BABES IN LOYLAND
by Charlie Finch
German painter Rosa Loy’s female mythology.
June 28, 2006
PICKING AND CHOOSING AT THE WHIT
by Charlie Finch
All the masterpieces at the Whitney’s "Full House."
June 19, 2006
The Great Picabia
by Charlie Finch
Francis Picabia is the star of "Dada" at MoMA.
June 8, 2006
WHATEVER HAPPENED TO DOUGLAS GORDON?
by Charlie Finch
There once was a man from the Highlands. . .
May 15, 2006
A BREAKTHROUGH SHOW
by Charlie Finch
Sherry Wong paints a 21st-century Big Chill.
May 5, 2006
OLD FRIENDS
by Charlie Finch
Notes on Jocelyn Hobbie, Lisa Ruyter and Kerri Scharlin.
Apr. 26, 2006
ARTE POVERA IN NEW ORLEANS
by Charlie Finch
Throw some support to the City That Care Forgot.
Apr. 4, 2006
WORLD OF WOMEN
by Charlie Finch
"Bearings: The Female Figure" at PS122 Gallery in Manhattan.
Mar. 27, 2006
WHITNEY BIENNIAL V. EVERGLADES
by Charlie Finch
Where rules must be observed to stay alive.
Mar. 10, 2006
STOP THE INSANITY!
by Charlie Finch
Contemporary art’s disconnect from the real world.
Mar. 6, 2006
THE RETURN OF ANTHONY JAMES
by Charlie Finch
New works go on view in Chelsea.
Feb. 9, 2006
THE SEDUCTION OF NATALIE FRANK
by Charlie Finch
Portrait of a fast rising star.
Feb. 1, 2006
TRUE LOVE COMES TO VEGAS
by Charlie Finch
Wedding bells ring for our scribe and his bride.
Charlie Finch Archives for 2005
Jan. 18, 2006
A VISIT WITH DEB AND PATTIE
by Charlie Finch
New work by New York artists Deborah Kass and Patricia Cronin.
Jan. 4, 2006
POSTMODERN SYSTEMATICS
by Charlie Finch
Touchstones in the pseudoreligion of contemporary art.
Dec. 20, 2005
SIDESHOW BOB
by Charlie Finch
Robert Rauschenberg "Combines" opens at the Metropolitan Museum of Art.
Dec. 14, 2005
SELECT, DON’T SETTLE
by Charlie Finch
Passing some time in New Haven.
Nov. 30, 2005
SOPHIE’S CHOICES
by Charlie Finch
New "Zebra Stripe Paintings" by Sophie Matisse.
Nov. 11, 2005
THE GROVES OF ACADEME
by Charlie Finch
A visit to the Columbia MFA open studios.
Nov. 4, 2005
TIRED OF ART?
by Charlie Finch
In search of surprises in a complacent contemporary art world.
Oct. 20, 2005
ELIZABETHTOWN
by Charlie Finch
Elizabeth Murray at the Museum of Modern Art.
Oct. 19, 2005
SMALL IS BEAUTIFUL
by Charlie Finch
Touring Chelsea on Saturday, looking to buy.
Oct. 11, 2005
TOYS IN THE ATTIC
by Charlie Finch
Art protected from the wider world.
Sept. 22, 2005
A DREAM WITHIN A DREAM
by Charlie Finch
Laurie Anderson’s supernal "The Waters Reglitterized."
Sept. 13, 2005
A Chat with Leo Steinberg
by Charlie Finch
The great art historian, still in the "Now"
Sept. 12, 2005
THE TEASE CONTINUES
by Charlie Finch
The last pictures of Diane Arbus.
Aug. 29, 2005
What’s Love Got To Do With It?
by Charlie Finch
Artist Lisa Kirk organizes the feminist/anti-feminist "Bonds of Love"
Aug. 8, 2005
Buffalo Soldier
by Charlie Finch
"Extreme Abstraction" at the Albright-Knox.
July 22, 2005
More Than a New Discovery
by Charlie Finch
Photographer Alix Smith and the subjects of identity.
July 8, 2005