Magazine Home  |  News  |  Features  |  Reviews  |  Books  |  People  |  Horoscope  
     
Back to Reviews 97


















Melissa McGill
Installation view, "Myths, Reflections and Innuendoes," 1997


© ArtNet Worldwide 1997




david ebony's
new york top ten



melissa mcgill
at crg




In her New York solo debut, Melissa McGill presents a haunting installation titled "Myths, Inflections and Innuendoes." The work consists of five gray glass forms that are partly embedded in the walls and also resting on tall white pedestals that stand near the walls. Bulbous, organic shapes, the glass forms look like they could be made of a gooey substance that oozes from the walls. The translucent shapes are meant to convey three-dimensional shadows. McGill, in this show, offers a fascinating study of the relationship between substance and immateriality.

DAVID EBONY is a contributing editor to Art in America. He is working on a book about the life and work of Graham Sutherland.

FIRST