Filling one corner of the gallery, a wall of rectangular slabs of colored beeswax is perpendicular to a wall of rectangular lead panels. Approaching the corner space, one is enveloped by both the diffused light and the slightly acrid but intriguing scents given off by both materials. In another work, called Liquid Sky, a ton of lead bricks supporting a yellow slab of wax seems disconcertingly portable as it rests in a four-wheeled cart. In his work, Kraus transforms the properties of his chosen materials. As Charlotta Kotik says in her catalog essay for his Czech shows, the artist "points up the fragility of seemingly stable elements."

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