Vincent van Gogh,
Nature Morte,
Glaieuls, 1886.
£1,300,000
Pierre-Auguste
Renoir, Portrait de
Jean Renoir, l'Enfant
au Cerceau, 1898.
£1,900,000
Gustave Courbet,
Le Bois Sous la
Neige, c. 1875.
£98,000
Edouard Manet,
Femme au Tub, 1879.
£350,000
Edgar Degas, Femme
se Coiffant, c. 1884.
£980,000
Renoir, Nu Assis, 1913.
Passed at £200,000
Degas, Trois
Danseuses (Jupes
Bleues, Corsages
Rouges), c. 1903.
£2,100,000
Pablo Picasso, Le
Peintre. £510,000
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artnet auction
results
impressionists & moderns
at sotheby's london
12/03/96
by Stewart Waltzer
When Simon de Pury finally found two
bidders in the room, he would step forward
on his right foot and extend his right arm
toward the first bidder. Then he would step
back and do the same thing, but with his
left foot and left arm toward the second
buyer. Back and forth through the 10 or 15
increments required to sell the work. You
could call it the Sotheby's Macarena, but
alas there were few people in the room who
cared to dance.
53 lots were entered. Just under 50 percent
(25 lots) passed. 80 percent (40 lots)
failed to exceed the low estimate at the
hammer. 8 percent (5 lots) exceeded the low
estimate but not the high. 12 percent (8
lots) exceeded the high. The total volume
was approximately £11.8 million at the
hammer.
Nothing could speak more eloquently of the
condition of the sale than those
statistics. It was on a par with Christie's
£11.5-million performance the night before.
Nor was it entirely the fault of the
pictures. Sotheby's first 14 lots were
bound in a separate catalogue that betokens
significant works. Of these, eight lots
were passed, including the fab Renoir
portrait of his son Jean dressed as a girl.
Six lots belonging to the Henry Moore
Foundation followed. Four sold but the
Renoir and the Vuillard did not.
A small Manet, the Henry Moore Foundation's
Courbet and the large Degas pastel did well
but not brilliantly. Brilliance was
reserved for a decidedly mediocre late
Picasso, that was the object of desire of
two dowager ladies. Bids flew back and
forth with such fervor that Mr. de Pury had
to quicktime his Sotheby's two-step. It
brought £510,000, which is no more than
three times its probable value.
The wit in London has it that "no one will
sit still for `Noo Yawk' prices he-ah!" But
no one in New York is sitting all that
quietly either.
Perhaps the houses will see their interest
in guiding clients to realistic levels and
once again it will be time to buy.
Prices below are as at the hammer, given in
British pounds,
LOW MIDDLE HIGH
1. 450,000
2. 680,000 (passed)
3. 250,000 (passed)
4. 140,000 (passed)
5. 1,300,000 van Gogh
6. 95,000 (passed)
7. 1,900,000 (passed) Renoir
8. 129,000
9. 620,000 (passed)
10. 50,000
11. 20,000 (passed)
12. 80,000
13. 80,000
14. 65,000 (passed)
15. no lot
16. Courbet 98,000
17. 350,000
18. Degas 980,000
19. 170,000 (passed)
20. 200,000 (passed)
21. large Degas 2,100,000
22. 870,000
23. Manet 1,450,000
24. 180,000
25. Degas 800,000
26. 220,000
27. 260,000 (passed)
28. 450,000
29. no lot
30. 280,000
31. 235,000
32. 530,000
33. 140,000
34. 110, 000
35. 75,000 (passed)
36. 300,000
37. 140,000 (passed)
38. 75,000 (passed)
39. 110,000
40. 340,000 (passed)
41. 170,000 (passed)
42. 140,000
43. 170,000 (passed)
44. 140,000
45. 380,000 (passed)
46. 510,000
47. 85,000 (passed)
48. 600,000 (passed)
49. 450,000 (passed)
50. 200,000
51. 75,000 (passed)
52. 220,000 (passed)
53. 95,000 (passed)
54. 140,000 (passed)
55. 600,000 (passed).
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