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Veronese [Caliari], Paolo
(b Verona, 1528; d Venice, 19 April 1588). Italian painter and draughtsman. With Titian and Tintoretto he makes up the triumvirate of great painters of the late Renaissance in Venice. He is known as a supreme colourist and for his illusionistic decorations in both fresco and oil. His large paintings of biblical feasts executed for the refectories of monasteries in Venice and Verona are especially celebrated. He also produced many altarpieces, history and mythological paintings and portraits. His compositional sketches in pen, ink and wash, figure studies in chalk, and chiaroscuro modelli and ricordi form a significant body of drawings. He headed a family workshop that remained active after his death (see CALIARI; for Veroneses adoption of this name see §III below).
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- Veronese, Paolo
- Caliari
- Decorum
- Humanism, §3: Humanism and the visual arts
- Tintoretto: (1) Jacopo Tintoretto, §I, 2: Life and work, 154855
- Tintoretto: (1) Jacopo Tintoretto, §I, 4(ii): Life and work, 1575 and after
- Venice, §II, 3(i): Art life and organization, 14541599: Painting
- assistants
- attributions
- collaboration
- drawings
- frames
- Frame, §II, 3(vi): Italian Renaissance: Compound profile frames
- Frame, §II, 4(i): Italian Mannerist: The `Sansovino frame
- Frame, §II, 4(ii): Italian Mannerist: Auricular and leaf frames
- Frame, §III, 4: France: Louis XIII and Louis XIV
- Frame, §III, 6: France: Rococo
- Frame, §VIII, 7: Spain: Neo-classical and early 19th century
- groups and movements
- interior decoration
- methods
- Canvas, §1(i): Properties
- Canvas, §2: History and use
- Chiaroscuro
- Ground, §3: History and use
- Oil painting, §2(ii): 16th17th centuries
- Perspective, §III, 3: Non-linear: 16th17th centuries
- Pigment, §IX, 1: Yellow ochre and orpiment
- Wall painting, §I, 4(iii): Renaissance
- models
- mosaics
- musical instruments
- paintings
- frescoes
- SS Giovanni e Paolo (Venice)
- Villa Barbaro (Maser)
- Cartari, Vincenzo
- Dress, §V, 1(iii): Southern Europe, 16th century
- Frame, §II, 3(iv): Italian Renaissance: Cassetta frames
- Grisaille, §2(i): From c 1400: Imitating stone and other materials
- Illusionism, §2(i)(a): Large-scale projects, c 1450c 1600
- Landscape painting, §II, 4(iii): 16th century: Italy
- Mannerism, §3(iii): Formal language: Space
- Mannerism, §3(iv): Formal language: The fusion of the arts
- Maser, Villa Barbaro
- Overdoor
- Villa, §II, 2: Renaissance and Baroque, c 1400c 1700: Decoration
- oil
- allegorical
- altarpieces
- ceiling
- mythological
- oil sketches
- organ shutters
- portraits
- religious
- religious
- patrons and collectors
- Poland, §XII, 2: Collecting and dealing, c 1600c 1800
- Augustus III, King of Poland (reg 1733-63)
- Benson, R(obert) H(enry)
- Borghese, Scipione, Cardinal
- Bourbon I., Louis de, le Grand Dauphin (1661-1711)
- Bracciano, Livio Odescalchi, Duca di
- Brienne, Louis-Henri, Comte de
- Carpio, Gaspar de Haro y Guzmán, 7th Marqués del
- Carr, Robert
- Carraquiri, Nazario
- Cavendish, William, 2nd Duke of Devonshire (1671-1729)
- Celotti, Luigi, Abbot
- Charles IV, King of Spain (reg 1788-1808)
- Christina, Queen of Sweden (reg 1632-54)
- Clive, Robert, 1st Baron Clive
- Contini Bonacossi, Alessandro, Conte
- Corte, Valerio
- Créquy, Charles de Blanchefort de
- Crozat, Pierre
- Dezallier d'Argenville, Antoine-Joseph
- Durazzo, Giuseppe M.
- Eastlake, Charles Lock (1793-1865)
- Egerton, Francis, 3rd Duke of Bridgewater
- Este (i) (family)
- Everdingen, Allart van
- Ferdinand III, Holy Roman Emperor (reg 1637-58)
- Fitzwilliam, Richard, 7th Viscount Fitzwilliam
- Fouquet, Nicolas
- Francesco I, 8th Duke of Modena and Reggio (reg 1629-58)
- Giustiniani (i), Vincenzo, Marchese
- Gonzaga, Ercole, Cardinal
- Habsburg I., Leopold William, Archduke of Austria, Governor of the Netherlands
- Hesselin, Louis(-Cauchon)
- Howard (i), Aletheia, Countess of Arundel
- Howard (i), Thomas, 2nd Earl of Arundel
- Imperiale, Gian Vincenzo
- Imstenraedt (brothers)
- Jabach, Everard
- Josephine, Empress of the French (1763-1814)
- Lagoy, Marquis de
- Lane, Hugh (Percy)
- Lely, Peter
- Liechtenstein-Castelkorn, Karel von, Bishop of Olmutz
- Ludovisi, Ludovico, Cardinal
- Lumague, Charles
- Medici, Giovanni Carlo de', Cardinal (1611-63)
- Medici, Leopoldo de', Cardinal
- Medinaceli, Luís de la Cerda Fernández de Córdoba Folch de Cardona y Aragón, 9th Duque de (1660-1711)
- National Gallery (London)
- Orléans, Philippe II de Bourbon, 2nd Duc d' (1674-1723)
- Philip II, King of Spain (reg 1556-98)
- Pisani (family)
- Polignac, Melchior de, Cardinal
- Poniatowski, Stanislaw, Prince
- Porto, Iseppo da
- Pourtalès-Gorgier, James-Alexandre, Comte de
- Reynolds, Joshua
- Richelieu, Armand-Jean Du Plessis, Cardinal de
- Rushout, John, 2nd Baron Northwick
- Sera, Paolo del
- Seymour-Conway, Francis Charles, 3rd Marquess of Hertford
- Sheremet'yev, Pyotr (Borisovich), Count
- Sigismund II Augustus, King of Poland (reg 1548-72)
- Somerset, Henry, 3rd Duke of Beaufort (1707-49)
- Strange, John
- Tallard, Marie-Joseph d'Hostun, Duc de
- Tessin, Carl Gustav, Count
- Velázquez, Diego (de Silva y) (1599-1660)
- Villiers, George, 1st Duke of Buckingham (1592-1628)
- Winkler, Gottfried
- pupils
- reproductive prints by others
- Bartolozzi: (1) Francesco Bartolozzi
- Carracci, §II: (2) Agostino Carracci
- Baratti, Antonio
- Bertelli, Orazio
- Dupuis, Nicolas-Gabriel
- Fontana (ii), Giovanni Battista
- Jackson, John Baptist
- Joullain, François
- Kilian, Lucas
- Kilian, Philipp
- Kilian, Wolfgang
- Lasne, Michel
- Valesi, Dionigi
- Villamena, Francesco
- Volpato, Giovanni
- Zompini, Gaetano Gherardo
- restorations by others
- studio
- teachers
- workshop
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