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Sculpture garden.

Type of GARDEN designed to display a collection of sculptures in an open-air courtyard or landscape setting. Its origins can be traced back to the archetypal concepts of the cave oracle, the sacred grove and the totemic figures of gods and rulers found in many parts of the world. During the time of the Roman Empire, garden courts became popular as a means by which emperors or wealthy citizens could display their collections of Greek and Egyptian statues; the garden at Hadrian’s Villa (see TIVOLI, §2(ii)) is a notable example. The recovery in Italy during the early Renaissance of statues and sculpted fragments from Classical ruins encouraged humanists to exhibit them in the manner of ancient times, and numerous Renaissance gardens were made in the spirit of revival. Pope Julius II’s statue court (1503) at the Vatican Belvedere, Rome, for example, displayed one of the best collections of antique sculptures (now housed within the Musei Vaticani), almost all of which had been recently unearthed; in other gardens of the same period, works by contemporary sculptors were often included, for example in the garden of the Villa Galli (destr.), Rome, for which Michelangelo’s Bacchus (c. 1496–8; Florence, Bargello) was specially commissioned. Sculptures thus became an important feature of European gardens, from the rock-carved figures and beasts in the Mannerist sacro bosco at the Villa Orsini (1552–80; see BOMARZO, SACRO BOSCO), and Baroque statues at the French royal gardens (see VERSAILLES, §2), to the sculptures adorning the English parks of the 18th century. During the 20th century the sculpture garden developed as a novel arena for the display of art, for which the setting might be formal or informal, urban or rural, and might take the form of a courtyard, garden, park or ‘natural’, unimproved landscape. The sculptures are equally diverse in origin and style, as they may or may not have been designed specifically to be displayed there.

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