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Sculpture garden.
Type of GARDEN designed to display a collection of sculptures in an open-air courtyard or landscape setting. Its origins can be traced back to the archetypal concepts of the cave oracle, the sacred grove and the totemic figures of gods and rulers found in many parts of the world. During the time of the Roman Empire, garden courts became popular as a means by which emperors or wealthy citizens could display their collections of Greek and Egyptian statues; the garden at Hadrians Villa (see TIVOLI, §2(ii)) is a notable example. The recovery in Italy during the early Renaissance of statues and sculpted fragments from Classical ruins encouraged humanists to exhibit them in the manner of ancient times, and numerous Renaissance gardens were made in the spirit of revival. Pope Julius IIs statue court (1503) at the Vatican Belvedere, Rome, for example, displayed one of the best collections of antique sculptures (now housed within the Musei Vaticani), almost all of which had been recently unearthed; in other gardens of the same period, works by contemporary sculptors were often included, for example in the garden of the Villa Galli (destr.), Rome, for which Michelangelos Bacchus (c. 14968; Florence, Bargello) was specially commissioned. Sculptures thus became an important feature of European gardens, from the rock-carved figures and beasts in the Mannerist sacro bosco at the Villa Orsini (155280; see BOMARZO, SACRO BOSCO), and Baroque statues at the French royal gardens (see VERSAILLES, §2), to the sculptures adorning the English parks of the 18th century. During the 20th century the sculpture garden developed as a novel arena for the display of art, for which the setting might be formal or informal, urban or rural, and might take the form of a courtyard, garden, park or natural, unimproved landscape. The sculptures are equally diverse in origin and style, as they may or may not have been designed specifically to be displayed there.
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- gardens
- Flower painting, §1: Symbolism
- Garden
- Garden, §I, 2: Iconography and phenomenology
- Garden, §I: Introduction
- Garden, §II: Ancient world
- Garden, §VII: South-east Asia
- Garden, §VIII, 1: Western: Introduction
- Garden, §VIII: Western
- Garden, §VIII, 2: Western medieval
- Garden, §VIII, 2(iv): Western medieval: Features
- Garden, §VIII, 3: Early Renaissance
- Garden, §VIII, 3(iii): Early Renaissance: Elsewhere
- Garden, §VIII, 4: Western, &circa 1550c 1800
- Garden, §VIII, 5: After c 1800
- historical and regional traditions
- Afghanistan
- Ancient Near East
- Australia
- Austria
- Aztec
- Brazil
- Britain
- Buddhism
- Garden, §VI: East Asia
- Garden, §VI, 3(i): Japan: Early
- Garden, §VI, 3(ii): Japan: Medieval
- Garden, §VI, 3(iv): Japan: Modern
- Kyoto, §IV, 5(ii): Daitokuji: Architecture and art works
- Kyoto, §IV, 7: Ryoanji
- Kyoto, §IV, 8: Ginkakuji
- Byzantine
- Cambodia
- Central Asia, Western
- China
- China, §I, 6(iii): Symbolic iconography and subject-matter
- China, §II, 5(ii)(d): Domestic architecture: Regional and ethnic variations
- China, §V, 3(iv)(b): Landscape painting: Theoretical writings
- Fountain, §I: Introduction
- Garden, §VI, 1: East Asia: China
- Garden, §VI, 1(v): China: Qing period
- Suzhou
- Ming period (1368-1644)
- Qing period (1644-1911)
- Confucianism
- Denmark
- Egypt
- Egypt, ancient
- England
- Garden, §VIII, 4(iv): British Isles, c 1550c 1800
- Garden, §VIII, 5(i): After c 1800: The plantsmans garden
- Hidcote Manor Garden
- Villa, §II, 4: Renaissance and Baroque, c 1400c 1700: Italian influences abroad
- 16th cent.
- 18th cent.
- Bridgeman, Charles
- Brown, `Capability, §2: Later work and royal appointment, after c 1754
- Claremont
- Garden, §I, 3: `Three natures: gardens, cultural landscapes and wilderness
- Garden, §VIII, 4(iv)(c): British Isles: Gardens after the Restoration, 1660c 1700
- Stourhead
- Whately, Thomas
- 19th cent.
- 20th cent.
- France
- Garden, §VIII, 4(ii): France, c 1550c 1800
- Garden, §VIII, 4(ii)(a): The development of the French Renaissance garden, c 15501655
- Garden, §VIII, 4(ii)(b): André Le Nôtre and late 17th-century French garden design, 1656c 1700
- Garden, §VIII, 4(ii)(c): French landscape gardens in the 18th century
- Maison du Roi, §II, 1: Role of the Bâtiments du Roi
- Mausoleum, §VII, 1: Early 19th century
- Renaissance
- 17th cent.
- Germany
- Greece, ancient
- Indian subcontinent
- Ireland
- Islamic
- Italy
- Fountain, §IV, 1: Western world: Medieval
- Garden, §VIII, 4(i): Italy, c 1550c 1800
- Garden, §VIII, 4(i)(b): Italy, c 1550c 1800: Historical development
- Villa, §II, 1: Renaissance and Baroque, c 1400c 1700: History and development
- Baroque
- Renaissance
- Roman
- 16th cent.
- Japan
- Netherlands, the
- Portugal
- Rome, ancient
- Rome, ancient, §I, 5(v): Subject-matter: Still-life and the natural world
- Rome, ancient, §IV, 2(i): Sculpture: Republic
- Rome, ancient, §V, 1(i)(a): Painting: Organization and setting
- Villa, §I, 2: Roman, before c AD 450: Decoration
- Russia
- Scotland
- Spain
- Sri Lanka
- United States of America
- Vietnam
- historiography see under HISTORIOGRAPHY ->
- types
- allotment
- botanic
- char bagh
- cloister
- dry-landscape
- enclosed
- hortus conclusus
- jardins à la française
- jardins anglo-chinois
- jardins paysagers
- knot gardens
- landscape
- paradeisoi
- pleasure
- roof
- sculpture
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