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Queen Mary Psalter.

Early 14th-century English manuscript, named after its owner in the 16th century, Queen Mary Tudor (reg 1553–8). The artist of the manuscript (277*175 mm; London, BL, Royal MS. 2. B. VII) is the main figure in the most active illuminators’ workshop operating in England c. 1310–35. It is the most elaborate product of this workshop, with 223 illustrations of the Old Testament preceding the Psalter text and other figural illustrations on almost every page within the Psalter itself (see fig.), placed at the liturgical divisions and as bas-de-page scenes; the Litany and Canticles are also illustrated. The subjects include an extensive Life of Christ cycle, Lives of the Saints, bestiary creatures, secular and grotesque scenes. This illustrative programme is executed partly in tinted drawing and partly in full colour with gold grounds. The extensive Old Testament illustrations are all tinted drawings in a style of exquisite delicacy and refinement. Sweet faces with gentle expressions, swaying poses and elegant gestures characterize the figure style, which is much closer to French work than to most English painting of the period and resembles that of Jean Pucelle and his workshop in Paris, with which it is exactly contemporary. Similarly, the delicate foliage and restrained border decoration are closer to such French work than to the heavier borders of many English manuscripts (see GOTHIC, §IV, 5(vi)). There is no record of the ownership of the book in the 14th century; neither the calendar nor any heraldic decoration provide any clue about the intended owner of this extraordinarily richly decorated book. Similarly, there is no indication of its date, but comparison with other manuscripts by the workshop makes its production in the decade 1310–20 seem likely.

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  Reproduced by kind permission of Macmillan Publishers Limited, publishers of The Grove Dictionary of Art.
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