(b Timashova [now in Kaluga district], 1 April 1840; d St Petersburg, 24 March 1894). Russian painter. He studied from 1856 to 1866 at the School of Painting, Sculpture and Architecture in Moscow and subsequently taught there (1873–94). Among his pupils were Sergey Ivanov and Sergey Korovin. Pryanishnikov was among the fifteen founder-members of the Peredvizhniki (WANDERERS) and contributed two works to their first exhibition. His narrative pictures of the 1860s embodied the critical trend in early Russian Realism and focused on the trials and sorrows of the lower classes; his Jokers (1865; Moscow, Tret’yakov Gal.) shows a petty clerk performing stunts for the amusement of some wealthy merchants. The Convoy of Empty Sleds (1871; Kharkiv, Mus. F.A.) conveys a fine sense of the bleak winter landscape. His later work added northern scenery and genre scenes to his repertory as in Saviour’s Day in the North (1887; Moscow, Tret’yakov Gal.) and Return from the Fair (1883; St Petersburg, Rus. Mus.). Pryanishnikov is also known for his hunting scenes. In 1893 he became a member of the St Petersburg Academy of Arts.

• Pryanishnikov, Illarion (Mikhaylovich)
  • Russia, §IV, 2(ii): Painting, graphic arts and sculpture, c 1800–c 1900
  • pupils
    • Golovin, Aleksandr (Yakovlevich)
      • Golovin, Aleksandr
    • Ivanov, Sergey (Vasil'yevich)
      • Ivanov, Sergey
    • Korovin, Sergey (Alekseyevich)
      • Korovin: (1) Sergey Korovin
    • Malyutin, Sergey (Vasil'yevich)
      • Malyutin, Sergey Vasil’yevich
    • Nesterov, Mikhail (Vasil'yevich)
      • Nesterov, Mikhail
    • Ryabushkin, Andrey (Petrovich)
      • Ryabushkin, Andrey
    • Stepanov, Aleksey (Stepanovich)
      • Stepanov, Aleksey
    • Ul'yanov, Nikolay (Pavlovich)
      • Ul’yanov, Nikolay
    • Werefkin, Marianne (von)
      • Werefkin, Marianne