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Presentation drawing.
Art form developed in Renaissance Italy. It refers to a drawing created as a finished work of art, rather than as a stage in the preparation or development of a work in another medium. The term was invented by Johannes Wilde to describe certain specific works by Michelangelo, but examples by other artists are known, and, as a whole, the existence of the type constitutes an interesting and important stage in the history of drawing.
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- Italy... (cont.)
- maiolica... (cont.)
- manuals
- architecture
- drawing
- iconography
- manuscript illumination
- manuscripts
- mythology
- painting
- printing
- stage design
- manuscript illumination
- Early Christian (c. AD 250-843)
- Gothic
- Giorgio d’Alemagna
- Gothic, §IV, 3: Painting: Working practices
- Gothic, §IV, 4(ii): Painting techniques: Colour
- Gothic, §IV, 5(vii): Painting: Italy, Spain and papal Avignon, c 1320–c 1400
- Lamy, Peronet
- Manuscript, §II, 1(iii): Production and trade: Gothic
- Masters, anonymous, and monogrammists, §I: Master of the Codex of St George
- Jewish art
- Renaissance
- Romanesque
- 12th cent.
- 14th cent.
- 15th cent.
- manuscripts
- maps
- marble
- Baroque
- Algardi, Alessandro, §1(i)(c): Subject sculpture: mid-1630s to 1644
- Algardi, Alessandro, §1(i)(d): Subject sculpture: 1644–54
- Baroque, §1: Origins of the term and the concept
- Bernini: (1) Pietro Bernini
- Bernini: (2) Gianlorenzo Bernini, §I, 1(i): Sculpture, to 1623
- Bracci, Pietro
- Caffa, Melchiorre
- Du Quesnoy: (2) François Du Quesnoy, §4: Monumental works
- Ferrata, Ercole
- Florence, §II, 2(ii): Art life and organization, c 1600–c 1800
- Foggini, Giovanni Battista
- Fontana, Annibale, §2: 1570 and after
- Maderno, Stefano
- Mazzuoli: (1) Giuseppe Mazzuoli
- Statue, §2(ii)(a): After c 1400: Public monuments: Statues for fountains and gardens
- Carolingian
- Dominican Order
- Gothic
- Arnolfo di Cambio, §2: Attributed sculptural works
- Gothic, §III, 1(iv)(c): Italian stone sculpture: Lombardy
- Gothic, §III, 1(iv)(e): Italian stone sculpture: Emilia-Romagna
- Gothic, §III, 1(iv)(f): Italian stone sculpture: Umbria
- Orvieto, §2(ii)(b): Modern town: Cathedral sculpture
- Rimini, §1(ii): S Francesco: Sculptural decoration
- Siena, §III, 1(ii): Cathedral sculpture
- Tino di Camaino, §2: Siena and Florence, 1315–1323/4
- Tino di Camaino, §3: Naples, 1323/4–1337
- Venice, §V, 5: Scuola Grande di S Maria della Misericordia
- Lombard art
- Mannerism
- Neo-classicism
- Bartolini, Lorenzo, §2(i): Exile and first years in Florence, 1814–27: Portrait busts
- Bartolini, Lorenzo, §3(i): Years of maturity, 1828–50: The Demidov monument and works with moral themes
- Canova, Antonio, §I, 1(iii): Sculpture: Cupid and Psyche theme and other works of the later 1780s
- Canova, Antonio, §I, 1(iv): Sculpture: Works of the 1790s
- Italy, §IV, 5: Neo-classical to early modernist sculpture, c 1750–c 1900
- Neo-classicism, §2: The search for a contemporary style
- Néo-Grec
- Renaissance
- Agostino di Duccio
- Amadeo, Giovanni Antonio, §1: Before 1490
- Bandinelli, Baccio, §1(ii): c 1522–1527
- Bregno: (3) Giovanni Battista Bregno
- Caccini, Giovanni Battista, §1: Sculpture
- Civitali, Matteo
- Desiderio da Settignano, §1: Life and work
- Donatello, §I, 1: Training and early work, before 1409
- Donatello, §I, 2(ii): Florence, Pisa and Rome, 1409–42: Narrative reliefs
- Ferrucci: (1) Francesco di Simone Ferrucci
- Florence, §II, 1(i): Art life and organization, before c 1400
- Florence, §IV, 2: Orsanmichele
- Italy, §IV, 3(ii)(a): High Renaissance sculpture, c 1480–c 1530: Venice
- Italy, §IV, 3(ii)(c): High Renaissance sculpture, c 1480–c 1530: Michelangelo in Florence & Rome
- Jacopo della Quercia, §1(i): Early style: Works in Lucca and Ferrara, to 1408
- Jacopo della Quercia, §1(iii): 1425–38: Reliefs for S Petronio, Bologna, and other late works
- Jacopo della Quercia, §1(ii): 1408–25: Fonte Gaia, Siena, Trenta Chapel, Lucca, & related works
- Lamberti: (1) Niccolò di Piero Lamberti
- Lombardo, §II: (5) Girolamo Lombardo
- Michelangelo, §I, 1(i): Sculpture: Training and early work, to c 1505
- Michelangelo, §I, 1(ii): Sculpture: Tomb of Julius II, 1505–19
- Michelangelo, §I, 1(iii): Sculpture: New Sacristy, 1519–34
- Michelozzo di Bartolomeo, §1(i): Life and career, 1420–40
- Nanni di Banco
- Rizzo, Antonio
- Sansovino: (1) Jacopo Sansovino, §1(i): Training and early career, to 1517
- Sansovino: (1) Jacopo Sansovino, §1(ii): Rome, 1518–27
- Sansovino: (1) Jacopo Sansovino, §1(iii)(b): Venice, after 1527: Sculpture
- Roman
- Early Christian and Byzantine art, §I, 2(i)(a): Religious iconography, before c 313
- Rome, ancient, §IV, 1(iv)(a): Sculpture: Free-standing
- Rome, ancient, §IV, 1(iv)(b): Sculpture: Architectural and relief
- Rome, ancient, §IV, 1(iv)(a): Sculpture: Free-standing
- Rome, ancient, §IV, 2(ii): Sculpture: Augustus
- Sperlonga, §2: Sculpture
- Romanesque
- 12th cent.
- 14th cent.
- 15th cent.
- 16th cent.
- 17th cent.
- 18th cent.
- 20th cent.
- markets
- marks
- martyria
- masonry
- master printers
- mausolea
- Mausoleum, §I, 3: Ancient world, c 3000 BC–c AD 330: Rome
- Mausoleum, §VI, 1: Early 18th century
- Mausoleum, §VI, 2: Rome, mid-18th century
- Ravenna, §2(ii): Mausoleum of Galla Placidia
- Ravenna, §2(iii): Mausoleum of Theodoric
- Rome, §V, 9: Castel Sant’Angelo
- medals
- meeting-houses
- Megillat
- metalwork
- micrography
- mills (industrial)
- miniatures (manuscript illumination)
- Jewish art
- justice scenes
- Renaissance
- Attavanti, Attavante
- Clovio, Giulio, §1: Training and work, to 1540
- Clovio, Giulio, §2: In the service of Cardinal Alessandro Farnese, 1540–78
- Masters, anonymous, and monogrammists, §I: Master of the della Rovere Missals
- Simone Camaldolese
- Strozzi, Zanobi
- Romanesque
- 14th cent.
- 15th cent.
- mints
- mirrors
- mixed-media
- modelli
- modelling
- models
- monasteries
- monuments
- equestrian
- funerary
- public
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