artnet.com
Search the whole artnet database
 
 
  Services  | The Grove Dictionary of Art

  Research Library groveart.com Artist Biographies
Materials and Techniques
Styles and Movements
 
 

Polykles [Polycles]

( fl ?mid-2nd century BC). Greek sculptor(s). Although Pliny (Natural History XXXIV.xix.52) listed Polykles among those sculptors who flourished in the 156th Olympiad (156–153 BC), the numerous testimonia show that at least two sculptors of that name were active during the 2nd century BC. Members of a successful dynasty that also attained considerable social prominence, they may be considered the main exponents of the Classical revival in 2nd-century BC Athens (see also DIONYSIOS, TIMARCHIDES and TIMOKLES). Their family tree is controversial, and it is often unclear which sculptor made what. Polykles seems to have been responsible for a Hermaphrodite in bronze, often identified with one preserved in several replicas (the most famous in Paris, Louvre); a Boy Victor in Olympia; a statue at Elateia in Aitolia; and several works in Rome: a Hercules in the Temple of Ops; a marble Jupiter and Juno in their temples within the Portico of Octavian (c. 146 BC and 179 BC respectively), joint works with Dionysios; a set of bronze Muses; and a statue of a Macedonian, Koinos. In addition, nine works are recorded for other family members in Olympia, Aitolia and Rome. Since the Aitolian League honoured a Polykles in 210 BC, and several of his works have an Aitolian context, the family may have made its reputation working for the League. Some of their statues probably went to Rome when the Romans conquered and looted Aitolia in 189 BC, and commissions for others swiftly followed. At the end of the 2nd century BC a Polykles and Dionysios, the last two known members of the family, were recorded as working for the Romans on Delos. Preserved works are few. Among the attributions, most plausible is a colossal head of Hercules (Rome, Mus. Capitolino), which imitates Praxiteles, following his Aberdeen head (London, BM). In Italy the style thrived well into the next century: as late as the 50s BC a colossus from Pompey’s theatre complex at Rome imitates it closely.

There are more than 45,000 articles in The Grove Dictionary of Art. To access the rest of this article, including the bibliography, subscribe to www.groveart.com. To find out more about this subject, click on a related article below and subscribe to www.groveart.com

  Reproduced by kind permission of Macmillan Publishers Limited, publishers of The Grove Dictionary of Art.
  © Copyright 2000 Macmillan Publishers Limited.
site map  about us  contact us  investor relations  services  terms & conditions artnet.com | artnet.de | artnet.fr
   ©2009 artnet - The art world online. All rights reserved. artnet is a registered trademark of artnet Worldwide Corporation, New York, NY.  


search artists: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z