artnet.com
Search the whole artnet database
 
 
  Services  | The Grove Dictionary of Art

  Research Library groveart.com Artist Biographies
Materials and Techniques
Styles and Movements
 
 

Paiva, José Francisco de

(b Campanhã, Oporto province, 1743; d Oporto, 1824). Portuguese draughtsman, cabinetmaker and architect. The Van Zeller Collection of drawings by Paiva (Lisbon, Mus. N. A. Ant.) records his activity, particularly in the first phase of his career as a joiner and cabinetmaker, a craft in which he also acted as adjudicator and examiner in 1783–4. It is evident from these designs that the scale of his activity extended beyond Oporto to Braga and Arcos de Valdevez. His drawings for both religious and secular furniture are varied and reveal the gradual infiltration of French Neo-classicism and English designs propagated by the pattern books of Sheraton and Hepplewhite; the cabinetmakers of Oporto gave a distinctive northern Portuguese imprint to both lines of influence. The series of designs for domestic furniture, dating between 1780 and 1814, illustrate the taste of his clients, among whom the British colony was strongly represented. The works that can most easily be attributed to him are found in churches, for example a sacristy chest (1790) in the church of the Third Order of Carmelites, Oporto, and a coffer (1792) for the relics of the Infanta S Mafalda in the monastery of Atouca. Pieces of furniture with documentary evidence of Paiva’s authorship descended in the Dutch–Portuguese trading Van Zeller family (e.g. cupboard, settee and chairs; Lisbon, Mus. Gulbenkian); others are owned by the stock exchange and social club for British merchants known as the British Factory (e.g. chairs with pierced splats featuring a wheatsheaf motif). It is more difficult to follow the development of his work as a cabinetmaker after 1797, when he became Master of Works for the construction of the large S Ovídio barracks in Oporto. At the same time he also worked on the construction of such churches as the parish church of Campanhã and Nossa Senhora da Boa Viagem, Massarelos, and such secular buildings as the new abattoir (1800–08) and the Largo das Fontaínhas. He also designed the façades, with decorative wrought-ironwork, of blocks of flats and town houses. At the end of his career, when he held the office of Architect to the Court of Appeal of Oporto, he designed the auxiliary buildings for the church of Nossa Senhora da Boa Viagem at Masserelos (drawing in Oporto, Bib. Pub. Mun.). His last work as an architect—the remodelling and completion of the church at Valongo—included the construction of the road from Valongo to Ponte Ferreira (12 km from Oporto), for which he drew up precise measurements and estimates in 1822 (documents in Lisbon, Mus. N. A. Ant.).

There are more than 45,000 articles in The Grove Dictionary of Art. To access the rest of this article, including the bibliography, subscribe to www.groveart.com. To find out more about this subject, click on a related article below and subscribe to www.groveart.com

  Reproduced by kind permission of Macmillan Publishers Limited, publishers of The Grove Dictionary of Art.
  © Copyright 2000 Macmillan Publishers Limited.
site map  about us  contact us  investor relations  services  terms & conditions artnet.com | artnet.de | artnet.fr
   ©2008 artnet - The art world online. All rights reserved. artnet is a registered trademark of artnet Worldwide Corporation, New York, NY.  


search artists: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z