| |
 |

|
|
(2) Anton Raphael Mengs
(b Ústi nad Labem [Ger. Aussig], Bohemia (now in Czech Republic), 12 March 1728; d Rome, 29 June 1779). Painter and writer, brother of (1) Theresia Concordia Mengs. His early career was at the Dresden court; thereafter he worked principally in Rome and Madrid, notably on the frescoes at the Villa Albani and the Palacio Real respectively. As an early exponent of Neo-classicism he produced some impressive classical and religious scenes, though he was most accomplished as a portrait painter. Under the influence of Johann Joachim Winckelmann he also wrote some theoretical works, of which the most important is the Gedanken über die Schönheit und über den Geschmack in der Malerey (1762). Although acclaimed during his lifetime, he was later regarded as an unimaginative eclectic, a view that continues to be widely held.
Part of the Mengs family
|
|
There are more than 45,000 articles in The Grove Dictionary of Art.
To access the rest of this article, including the bibliography, subscribe to
www.groveart.com.
To find out more about this subject, click on a related article below and
subscribe to www.groveart.com
|
- Mengs, Anton Raphael
- Bourbon, §II: (4) Charles III, King of Spain
- Ensenada
- Germany, §III, 4(i): Painting and graphic arts: Neo-classicism
- Jewish art, §VII: Easel painting, sculpture and graphic art, after 1800
- Kelly, Florencio
- Madrid, §II, 2: Art life and organization, 1700 and after
- Mengs
- Mengs: (2) Anton Raphael Mengs, §1(i): Dresden and Italy, to 1755
- Mengs: (2) Anton Raphael Mengs, §1: Life and work
- Mengs: (2) Anton Raphael Mengs, §1(ii): Rome and Naples, 175661
- Rome, §III, 6(i): Art life and organization: 17011800: Artistic environment
- Rome, §VI: Accademia di S Luca
- Spain, §III, 4(i): Painting and graphic arts, c 1750c 1900: Growth of Neo-classicism & Romanticism
- assistants
- attributions
- collaboration
- dealing
- groups and movements
- paintings
- allegorical
- Italy, §V, 5: Interior decoration, c 1750c 1800
- Italy, §XIV, 3: Museums: The age of Neo-classicism
- Madrid, §IV, 2: Palacio Real
- Nude, §3: Baroque, Rococo and Neo-classicism, 16001800
- Rome, §V, 27: Villa Albani
- mythological
- portraits
- religious
- patrons and collectors
- Clement XIV, Pope
- Albani, Alessandro, Cardinal
- Augustus III, King of Poland (reg 1733-63)
- Borbón y Braganza, Sebastián Gabriel
- Brudenell, John, Marquess Monthermer and Baron Montagu
- Charles IV, King of Spain (reg 1788-1808)
- Clement XIII, Pope (reg 1758-69)
- Corcoran, William Wilson
- Cowper, George Nassau Clavering, 3rd Earl
- Harrach, Ernst Guido, Graf von
- Hoare (i), Henry the younger (1705-85)
- Iriarte, Bernardo de
- Maria Amalia, Queen of Spain (1724-60)
- Pius VI, Pope (reg 1775-80)
- Poniatowski, Stanislaw, Prince
- Robinson, Thomas, 2nd Baron Grantham
- Stanislav II Poniatowski, King of Poland (reg 1764-95)
- Swymmer, Anthony Langley
- Tarnowski, Jan Feliks, Count and Waleria
- Williams-Wynn, Watkin, 4th Baronet, of Wynnstay (1749-89)
- Yusupov, Nikolay (Borisovich), Prince (1751-1831)
- personal collection
- pupils
- Als, Peder
- Brompton, Richard
- Byres, James
- Ceán Bermúdez, Juan Agustín
- Follin, Bartolomeo
- Guibal, Nicolas
- Quarenghi, Giacomo
- Rehberg, Friedrich
- West, Benjamin
- Zick (ii), Januarius
- reproductive prints by others
- teachers
- writings
- Antique, the: Bibliography
- Azara, José Nicolás de
- Display of art, §II, 3(iii): Paintings, c 1700c 1870
- Greece, ancient, §IV, 3(ii): Monumental sculpture: Modern theory and criticism
- Treatise, §II, 4: Painting, 17th and 18th centuries: Baroque and Neo-classicism
|
|