( fl c. 1420–c. 1440). South Netherlandish painter. With Jan van Eyck and Rogier van der Weyden, he determined the course of Netherlandish and thence much of European painting in the 15th century. There is good reason for identifying him with ROBERT CAMPIN of Tournai, the master of van der Weyden.

Part of the Masters, anonymous, and monogrammists family

• Flémalle, Master of
  • Campin, Robert
  • Daret, Jacques
  • Masters, anonymous, and monogrammists, §I: Master of Mérode
  • attributions
    • Belgium, §VI, 1: Furniture, before 1600
    • Masters, anonymous, and monogrammists, §I: Master of the Aix Annunciation
    • Romanesque, §I: Introduction
  • commentaries
    • Tolnay, Charles Erich de
  • methods
    • Masters, anonymous, and monogrammists, §I: Master of Flémalle, §3: Working methods and technique
    • Panel painting, §2(ii): Construction
  • patrons and collectors
    • Seilern, Antoine
  • pupils
    • Weyden, van der
    • Weyden, van der: (1) Rogier van der Weyden, §I, 3(i): Early period, c 1432–c 1442
  • reproductive prints by others
    • Masters, anonymous, and monogrammists, §I: Master with the Banderoles
  • works
    • Andachtsbild
    • Belgium, §III, 2(i): Panel, wall and glass painting, 1400–c 1550
    • Frame, §V, 1: The Netherlands and Belgium: Gothic
    • Grisaille, §2(i): From c 1400: Imitating stone and other materials
    • Masters, anonymous, and monogrammists, §I: Master of Flémalle, §1(i): The Flémalle panels & related works
    • Masters, anonymous, and monogrammists, §I: Master of Flémalle, §1(ii): Other attributions
    • Still-life, §2: 14th to 17th centuries: Renaissance and Baroque
    • Symbol, §3: Indirect symbolism
    • Topography, §2(i): Descriptive art, before c 1650