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Le Corbusier [Jeanneret, Charles-Edouard]
(b La Chaux de Fonds, 6 Oct 1887; d Roquebrune-Cap-Martin, Alps-Maritimes, France, 27 Aug 1965). Swiss architect, urban planner, painter, writer, designer and theorist, active mostly in France. In the range of his work and in his ability to enrage the establishment and surprise his followers, he was matched in the field of modern architecture perhaps only by Frank Lloyd Wright. He adopted the pseudonym Le Corbusier for his architectural work c. 1920 and for his paintings c. 1930. His visionary books, startling white houses and terrifying urban plans set him at the head of the MODERN MOVEMENT in the 1920s, while in the 1930s he became more of a complex and sceptical explorer of cultural and architectural possibilities. After World War II he frequently shifted position, serving as Old Master of the establishment of modern architecture and as unpredictable and charismatic leader for the young. Most of his great ambitions (urban and housing projects) were never fulfilled. However, the power of his designs to stimulate thought is the hallmark of his career. Before he died, he established the Fondation Le Corbusier in Paris to look after and make available to scholars his library, architectural drawings, sketches and paintings.
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- Le Corbusier
- CIAM, §1: 192846
- Classicism, §7: 20th century: Post-modernism
- Costa, Lúcio
- Czech Republic, §II, 3: Architecture, 1780s and after
- Design, §2: 20th century
- Fascism, §2: Art and architecture
- Fischer, Theodor
- France, §II, 5(ii): Developments in Modernist architecture and the great exhibitions, after c 1914
- France, §II, 5(iii): Architecture, after c 1914: Post-war reconstruction
- France, §III, 6(i): Painting & graphic arts, after c 1914: The rappel à lordre
- Gray, Eileen
- Hoffmann, Josef, §3: Character and personality
- Ibler, Drago
- Indian subcontinent, §VIII, 8: Furniture
- Islamic art, §I, 1(iii): Definition: Objections
- MARS Group
- Martienssen, Rex
- Neuchâtel
- Switzerland, §I: Introduction
- architecture
- Ahmadabad, §3: Buildings
- France, §II, 5(i): Architecture, after c 1914: Purism, Cubism and the Modern Movement
- France, §XII, 5: Patronage: 19th and 20th centuries
- Hellerau
- International Style
- Paris, §II, 6(ii): Urban development, 191945
- Roof, §1: Introduction
- Russia, §III, 3(i): Architecture, 1917c 1945
- Stuttgart, §1: History and urban development
- Tension structure, §2: Modern tensile architecture
- Town hall, §1: Introduction
- ecclesiastical buildings
- exhibition architecture
- Exhibition architecture, §3(i): Exhibitions of 192540: Paris, Barcelona and London
- Exhibition architecture, §4: Developments since 1945
- France, §V, 6: Interior decoration, after c 1890
- Germany, §II, 7(ii): Architecture, after World War II
- Léger, Fernand, §1(iii): Life and work, 191826
- Modern Movement, §3: De Stijl to Der Ring, 191725
- government buildings
- houses
- Artists house, §3: The 20th century
- Belgium, §II, 5: Architecture, after c 1890
- Belgium, §III, 1(i): Wall and panel painting, before 1400
- Iommi, Ennio
- Lighting, §2(ii)(b): After c 1800: Uses of artificial lighting
- Piloti
- Purism, §2: Architecture
- Switzerland, §II, 2: Architecture: Advent and development of Modernism, c 1900 and after
- Villa, §IV: After c 1800
- Zurich, §1(ii): History and urban development, c 1700 and after
- Villa Savoye
- housing
- law courts
- museums
- university buildings
- urban planning
- Bogotá, Santa Fe de, §2: 1819 and after
- Chandigarh, §1: History and urban development
- Colombia, §III, 2(ii): Architecture: After independence, after 1930
- Drew, Jane B.
- India, §II: Architecture
- Nowicki, Matthew
- Torres i Clavé, Josep
- Urban planning, §V, 4: c 18901945: Functionalism
- Urban planning, §V, 5: c 18901945: A new policy for the centre
- assistants
- book illustrations
- collaboration
- Baungart, Emilio
- Bodiansky, Vladimir
- Bonet, Antonio
- Botta, Mario
- Braem, René
- Chowdhury, Eulie
- Frey, Albert
- GATEPAC (Grupo de Artistas y Técnicos Españoles para el Progreso de la Arquitectura Contemporánea)
- Harrison and Abramovitz
- Jeanneret, Pierre
- Karfík, Vladimír
- Kolli, Nikolay (Dzhemsovich)
- Lods, Marcel
- Moreira, Jorge (Machado)
- Niemeyer (Soares Filho), Oscar
- Ozenfant, Amédée
- Perret, Auguste
- Pingusson, Georges-Henri
- Prouvé, Jean
- Reidy, Affonso Eduardo
- Roth, Alfred
- Sakakura, Junzo
- Savina, Jo(seph)
- Vilar, Antonio Ubaldo
- Williams, Amancio
- Yoshizaka, Takamasa
- competitions
- dealers
- drawings
- furniture
- groups and movements
- Allianz
- ATBAT
- Bauhaus
- Cercle et Carré
- CIAM
- CIRPAC
- Cubism
- Deutscher Werkbund
- Functionalism
- Modern Movement
- Purism
- Rationalism (ii) (style)
- Union des Artistes Modernes
- methods
- patrons and collectors
- personal collection
- pupils
- Backström & Reinius
- Indian subcontinent, §III, 1(i)(d): Architectural forms: Indo-Islamic and colonial
- Japan, §III, 5(ii): Architecture: International Modernism, c 192060
- Japan, §XVIII, 3(ii): Art training and education, 18681945: Effect of Western educational theories
- Dávid, Károly
- Hopwood, Gillian
- Maekawa, Kunio
- Matta (Echaurren), Roberto (Antonio Sebastián)
- Soltan, Jerzy
- Wogensky, André
- restorations by others
- staff
- Yorke, Rosenberg & Mardall
- Bonet, Antonio
- Candilis-Josic-Woods
- Doshi, Balkrishna V(ithaldas)
- Ginsberg, Jean
- González de León, Teodoro
- Heep, (Adolf) Franz
- Jorn, Asger
- Komter, Auke
- Mange, Ernest (Robert de Carvalho)
- Parent, Claude
- Perriand, Charlotte
- tapestries
- writings
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