(b Südern-Linden, 11 Nov 1888; d Zurich, 25 May 1967). Swiss painter, textile designer, teacher, writer and theorist. He trained first as a primary school teacher in Berne (1904–6), where he became familiar with progressive educational and psychoanalytical ideas. He was, however, interested in art and music, and in 1909 he decided to become a painter. He enrolled at the Ecole des Beaux-Arts in Geneva but was so disappointed that he returned to teacher training in Berne. He read widely and developed an interest in religion and mystic philosophy. After qualifying he returned to Geneva and greatly enjoyed the course on the geometric elements of art run by the Swiss painter Eugène Gilliard (1861–1921). After travelling in Europe, in 1913 Itten went to Stuttgart to study at the academy of Adolf Hölzel, a pioneer of abstraction who was also convinced of the importance of automatism in art. Greatly impressed, Itten absorbed his teaching on colour and contrast and his analyses of Old Masters paintings. Encouraged by Hölzel, he made abstract collages incorporating torn paper and cloth.

• Itten, Johannes
  • Berne, §2: Art life and organization
  • Music and art, §4: 20th century
  • Stuttgart, §2: Art life and organization
  • Switzerland, §III, 6: Painting and graphic arts: 20th-century developments
  • exhibitions
    • Walden, Herwarth
  • groups and movements
    • Bauhaus, §1: Weimar period, 1919–c 1925
    • Germany, §III, 5(i): Painting and graphic arts, c 1900–c 1939
  • methods
    • Colour, §I, 4: Western world, 20th century: Abstract art
  • pupils
    • Ardon, Mordecai
    • Oelze, Richard
    • Stauch, Hellmut
    • Stölzl, Gunta
    • Trökes, Heinz
  • teachers
    • Hölzel, Adolf
  • works
    • Switzerland, §IV: Sculpture
    • Watercolour, §2(iii): 20th century