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Galimard, (Nicolas-)Auguste

(b Paris, 25 March 1813; d Montigny-lès-Corneilles, nr Paris, 16 Jan 1880). French painter, writer and lithographer. He was given his first art lesson by his uncle, Nicolas-Auguste Hesse, in Paris, then moved to the studio of Jean-Auguste-Dominique Ingres. According to Auvray in the Dictionnaire général, he also studied with the sculptor Denys Foyatier. Like a number of Ingres’s pupils, Galimard was involved in decorating the newly built or newly restored churches of the July Monarchy and the Second Empire. At his first Salon in 1835 he exhibited Three Marys at the Tomb, a Châtelaine of the 15th Century and a portrait of his cousin, Mme Lefèvre (all untraced). The following year he exhibited one of his first attempts at glass painting, The Queen of the Angels (broken by a gust of wind during the exhibition), and a painting, Liberty Leaning on Christ Flanked by the Apostles James and John (untraced), a subject indicating sympathy with the social ideology of Charles Fourier or Saint-Simon. In 1848 and 1849 he exhibited a series of cartoons for his first major project, the decoration of the medieval church of St Laurent in Paris, then undergoing restoration by Victor Baltard. When the church was remodelled and extended in 1866–7, Galimard again supplied designs for decorating the choir. None of this remains, but his windows in the south aisle of St Clothilde, Paris, Théodore Ballu’s Gothic Revival masterpiece, finished in 1859, provide a good indication of his talent for organizing areas of strong colour in large, simple shapes. According to Auvray’s account, Galimard also supplied windows for St Phillipe-du-Roule, Paris, for the church at Celle-Saint-Cloud and elsewhere.

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  Reproduced by kind permission of Macmillan Publishers Limited, publishers of The Grove Dictionary of Art.
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