(b Gatehouse of Fleet, Dumfries & Galloway, 31 Aug 1819; d Gatehouse of Fleet, 22 Oct 1902). Painter. He was self-taught and received early encouragement from an Edinburgh collector who had settled locally. He painted miniatures until 1840, when he moved to Edinburgh, and he attended classes at the Trustees’ Academy there. Being hard-working and cautious he continued in the ‘cramped minuteness’ of miniature painting against his true inclination. The Evening Hour (Children of Dr Archibald Bennie) (1847; Edinburgh, N.G.), painted on a piece of ivory 330*241 mm, shows his portrait style at the height of his success as a miniaturist. By the late 1840s he had begun to exhibit oils at the Royal Scottish Academy, of which the Trysting Place (1848; Glasgow, A.G. & Mus.) was among his earliest. During the 1850s he received two commissions from the Royal Association for the Promotion of the Fine Arts in Scotland for illustrations to Robert Burns, including Tam O’Shanter (1856). A Wappenschaw (1863; Edinburgh, Offices of the NT Scotland), an ambitious work depicting a feudal shooting contest with some 40 figures, reveals his compositional weaknesses, due perhaps to his miniaturist training. In 1864 John followed his brother (3) Thomas Faed to London. In later life John was free to indulge his early ambition to become a history painter. In order to paint the Warning before Flodden (1875; Wolverhampton, A.G.), he first borrowed historical costumes from Mme Tussaud’s waxworks. He settled at Gatehouse in 1880.

Part of the Faed family