(b Florence, 1315–20; d Florence, 1368). Painter, sculptor and architect, thought to have also been active as a poet. He was trained as a painter and referred to himself as ‘pictor’ on the tabernacle in Orsanmichele (see below). Details of his training are not known, but his first surviving works reveal various influences, especially of Maso di Banco and Taddeo Gaddi.

Part of the Cione family

• Cione, Andrea di
  • Cione
  • Gothic, §IV, 3: Painting: Working practices
  • architecture
    • Orvieto, §2(ii)(a): Modern town: Cathedral architecture
  • assistants
    • Andrea da Firenze (i)
    • Cione: (3) Matteo di Cione
  • attributions
    • Daddi, Bernardo, §1(ii): Mature work, after c 1330
    • Gothic, §III, 2(vii): Wood sculpture in Italy
    • Masters, anonymous, and monogrammists, §I: Master of the Triumph of Death
  • collaboration
    • Cione: (2) Nardo di Cione
    • Talenti: (3) Simone Talenti
  • competitions
    • Competition, §I, 1: Architecture, before 1600
  • methods
    • Pouncing
  • paintings
    • Cione: (4) Jacopo di Cione
    • Italy, §III, 2(iii): Late medieval painting, c 1100–c 1400
    • altarpieces
      • Cione: (1) Andrea di Cione, §2: Mature works, 1348–60
      • Cione: (1) Andrea di Cione, §3: Late works, after 1360
      • Florence, §II, 1(i): Art life and organization, before c 1400
      • Florence, §IV, 6: S Maria Novella
      • Frame, §II, 2: Italian Pre-Renaissance
      • Gothic, §IV, 5(vii): Painting: Italy, Spain and papal Avignon, c 1320–c 1400
    • frescoes
      • Iconographic handbook, §2(i): From the 12th–17th century: Christian subject-matter
  • patrons and collectors
    • Alexander, Francis
    • Artaud de Montor, Jean-Alexis-François
    • Butler, Charles
  • pupils
    • Giovanni del Biondo
  • sculpture
    • Florence, §IV, 2: Orsanmichele
    • Gothic, §III, 1(iv)(b): Italian stone sculpture: Tuscany