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(2) Agostino Carracci
(b Bologna, 15 Aug 1557; d Parma, 22 March 1602). Painter, engraver and draughtsman, cousin of (1) Ludovico Carracci. He abandoned his profession as a tailor, which was also that of his father, Antonio, and began training as a painter. According to Faberi, he studied first in the workshop of the painter Prospero Fontana (like Ludovico), then trained under the engraver and architect Domenico Tibaldi and under the sculptor Alessandro Menganti (1531c. 1594). However, it is likely that Faberis account was influenced by his desire to present Agostinos career as an example of the versatile cursus studiorum advocated by the Accademia degli Incamminati. Other sources (Mancini, Malvasia, Bellori) agree that it was his cousin Ludovico who was responsible for directing him towards painting. Only recently has it been assumed that he was a pupil of Bartolomeo Passarotti.
Part of the Carracci family
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- Carracci, Agostino
- Academy, §2: The first official academies
- Bologna, §II, 2: Art life and organization, after c 1400
- Carracci
- Carracci, §I, 1: The Carracci reform and the Accademia degli Incamminati
- Carracci, §II: (3) Annibale Carracci, §I, 2: Drawings
- Disegno e colore, §1: 16th-century Italy: origins of the controversy
- Italy, §III, 4(iv): High Renaissance & Mannerist painting, c 1500c 1600: Other schools & artists
- Italy, §III, 5(i): Baroque & Rococo painting, c 1600c 1750: Bologna & Emilia Romagna
- Italy, §XVI, 2: Art education: Academies
- Rome, §III, 4(ii): Art life and organization, 15501600
- attributions
- collaboration
- copies
- engravings
- etchings
- patrons and collectors
- pupils
- reproductive prints by others
- works
- Bonasone, Giulio
- Calvaert, Denys
- Caricature, §1(i): Western before 1720
- Castello (ii): (1) Bernardo Castello
- Cignani, Carlo
- Drawing, §IV, 4: 17th century
- Erotic art, §I, 2(ii): Western world, c 1500c 1700
- Fiammingo, Paolo
- Italy, §V, 3: Interior decoration, 16001699
- Theatre, §III, 3(i)(b): Italy: Baroque stage design and costume
- Veronese, Paolo, §IV, 3: Critical reception and posthumous reputation: Influence
- writings
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