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Camden Town Group.

Exhibiting society of 16 British painters that flourished between 1911 and 1914. It was created from the inner core of artists who regularly attended the informal Saturday afternoon gatherings first established by Walter Sickert in 1907 in a rented studio at 19 Fitzroy Street, London. Sickert, Lucien Pissarro, Spencer Gore, Harold Gilman and Robert Bevan, together with disciples, pupils and sympathetic colleagues, met weekly to display their work to each other and to a small band of patrons while discussing the politics of art in London. Although Fitzroy Street was never intended to represent a movement or school, between 1907 and 1911 it did nurture a distinct episode in the history of British art, which is most suggestively described as Camden Town painting. The pictures tended to be small: ‘little pictures for little patrons’, to quote one of the latter, Louis Fergusson. A Sickert-inspired vocabulary of favourite themes was established: nudes on a bed or at their toilet, informal portraits of friends and coster models in shabby bed-sitter interiors, mantelpiece still-lifes of cluttered bric-à-brac, and views of commonplace London streets, squares and gardens. Every theme was treated with objective perceptual honesty. The handling developed by many of these painters, influenced above all by Lucien Pissarro, represents a late and temperate flowering in England of French Impressionism. With qualifications, interest in colour analysis and the development of a broken touch were characteristics common to the inner core of ‘Camden Town’ painters.

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  Reproduced by kind permission of Macmillan Publishers Limited, publishers of The Grove Dictionary of Art.
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