(b ?Poperinghe, 1488; d Bruges, bur 4 March 1581). South Netherlandish painter, draughtsman, designer, architect, civil engineer, cartographer and engraver. He is said to have trained as a bricklayer, and the trowel he used to add as his housemark next to his monogram LAB testifies to this and to his pretensions as an architectural designer. In 1519 he was registered as a master painter in the Bruges Guild of St Luke, where he chose as his speciality painting on canvas. The following year he collaborated with the little-known painter Willem Cornu in designing and executing 12 scenes for the Triumphal Entry of Emperor Charles V into Bruges. From then onwards Blondeel received regular commissions, mainly as a designer and organizer. Records of legal actions show that he was sometimes late with commissions; he took seven years to execute a Last Judgement ordered in 1540 for the council chamber at Blankenberge, and in 1545 the Guild of St Luke summoned him for his failure to supply their guild banner on time. Blondeel was married to Kathelyne, sister of the wood-carver Michiel Scerrier; of the two daughters of this marriage, the eldest, Maria, married the tapestry-weaver Andries Hansins before 1542 and the younger, Anna, married Blondeel’s pupil, the painter Pieter Pourbus, before 1545.

• Blondeel, Lanceloot
  • Belgium, §III, 2(i): Panel, wall and glass painting, 1400–c 1550
  • Bruges, §II: Art life and organization
  • teachers
    • Orley, van (i): (2) Bernard van Orley, §2: Critical reception and posthumous reputation
  • works
    • Beaugrant, Guyot de
    • Bruges, §III, 1: Centre of tapestry production
    • Justice scenes, §1: The Last Judgement
    • Scorel, Jan van, §3: Other activities