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Art Abstrait.
Belgian art group designed to propagate abstract art. It was formed in April 1952 as a successor to JEUNE PEINTURE BELGE by the artists Jean Milo (b 1906), Jo Delahaut (b 1911), Pol Bury, Georges Carrey (1902–53), Léopold Plomteux (b 1920), George Collignon (b 1923) and Jan Saverys (b 1924), who were joined later that year by Jan Burssens (b 1925) and Hauror. The group first exhibited in 1952 at the Cercle Artistique in Ghent, the Galerie Le Parc in Charleroi and the Galerie Arnaud in Paris and also travelled to Britain. The following year it exhibited at the Palais des Beaux-Arts in Brussels, the Association pour le Progrès Intellectuel et Artistique de la Wallonie in Liège and at the Salle Comité voor Artistieke Werking in Antwerp. The members of the group had no unifying style or aesthetic apart from being non-figurative. The abstract styles within the group ranged from thickly impastoed informal works such as Carrey’s Composition (1953; Brussels, Musées Royaux A. & Hist.) to hard-edged works such as Delahaut’s Besoar (1953; see 1981 exh. cat., p. 25). In 1954 Delahaut, Bury and the writers Jean Séaux and Karel Elno published a manifesto that introduced the concept of SPATIALISME, thus marking the end of Art Abstrait. Delahaut’s ideas about abstraction led to his co-founding the group Formes with the writers Séaux and Maurits Blicke in 1956. This was designed to realize the ideas of the Spatialisme manifesto, as shown, for example, in the abstraction of Delahaut’s Recall to Order (1955; see 1981 exh. cat., p. 32). Again short-lived, the Formes group exhibited in 1956 at Morlanwelz-Mariemont in Hainaut and in 1957 at the Galerie Accent in Antwerp.
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