Italian architectural and design partnership formed in 1966 by Andrea Branzi (b 1939), Gilberto Corretti (b 1941), Paolo Deganello (b 1940) and Massimo Morozzi. These were joined by Dario Bartolini and Lucia Bartolini in 1968. They were based in Florence and were influenced initially by the utopian visions of the English architectural group Archigram. They achieved international prominence following appearances at the Superarchitettura exhibitions of radical architecture held at Pistoia (1966) and Modena (1967) and organized with the SUPERSTUDIO group. Numerous projects and essays reflected the group’s search for a new, highly flexible and technology-based approach to urban design, and in the late 1960s exhibition and product design began to form a significant part of their work. The Superonda and Safari sofas, designed for the Poltronova company, combine modular flexibility with kitsch-inspired shiny plastic and leopard-skin finishes. Their central aim of stimulating individual creativity and fantasy was the focus of installations such as the Centre for Electric Conspiracy, with its closed, perfumed meditation areas housing exotic objects from different cultures, and the empty grey room presented at Italy: The New Domestic Landscape, an exhibition held at MOMA, New York, in 1972. In the latter a girl’s voice describes the light and colour of a beautiful house that is left to the listener to imagine. Dress is the theme of the two films (Vestirsi è facile and Come è fatto il capotto di Gogol ) that the group made shortly before disbanding in 1974 to follow separate careers.