(b St Andrew, 1913). Jamaican painter. He began his career as a cartoonist for various local periodicals. In 1937 Augustus John, then working in Jamaica, encouraged him to begin painting. Unlike the majority of his contemporaries, he eschewed the ‘official’ classes of the Institute of Jamaica and virtually taught himself to paint through self-study courses and manuals and by copying masterpieces from art books. His cartoonist’s wit and a sardonic humour became the most important ingredients in work that drew on numerous stylistic sources, from Renaissance painting to Cubism. He was a devout Christian, and produced a host of religious works of an undeniable sincerity, although he transformed many traditional Christian themes into witty contemporary parables. His Last Supper (1955; Kingston, N.G.) is the best known of these. Some of his finest work consists of ironic transformations of the great mythological themes of the past and intensely personal fantasies based on contemporary events. He was also one of the few painters to treat successfully historical Jamaican subjects, for example in paintings of the imagined daily lives of the extinct Arawaks, the landing of Columbus, and a series depicting the riotous living of 17th-century buccaneers in Port Royal. His Destruction of Port Royal (c. 1970; Kingston, N.G.) is a dramatic portrayal of that cataclysmic event. In 1985 he won a competition to create two murals for the Norman Manley Airport in Kingston. The murals successfully combine many of his thematic interests into a montage celebrating Jamaican life and history.