Jeff Cowen

Jeff Cowen

untitled berlin vii by jeff cowen

Jeff Cowen

Untitled Berlin VII, 2012

nature morte 10 by jeff cowen

Jeff Cowen

Nature Morte 10, 2012

special project 30 by jeff cowen

Jeff Cowen

Special Project 30, 2010

z-8 by jeff cowen

Jeff Cowen

Z-8, 2012

untitled berlin xxxii by jeff cowen

Jeff Cowen

Untitled Berlin XXXII, 2013

alexandra 12 by jeff cowen

Jeff Cowen

Alexandra 12, 2010

Friday, January 24, 2014Saturday, March 8, 2014

VW (VENEKLASEN/WERNER)
Rudi-Dutschke-Strasse 26

Berlin, Germany

Jeff Cowen
24 January - 8 March 2014

Opening 24 January 18:00 - 21:00

Jeff Cowen opens with a reception for the artist on Friday 24 January and remains on view through 8 March. Gallery hours are Tuesday through Saturday, 11AM to 6PM.

VW (VeneKlasen/Werner) is pleased to present an exhibition of works by Jeff Cowen. This is the artist’s first solo exhibition in Berlin, offering an overview of his work of the past decade with a particular focus on recent works.

For the better part of its brief history photography was largely understood as a tool for recording data rather than as a proper artistic medium. Photography’s status as a lesser art persisted into the late twentieth century, despite the contributions of countless artists from Victorian times, through to Surrealism and on into the Post-modern era. Photography today is accepted as a thoroughly valid means of creative expression; yet the ubiquity of cameras and of photographic imagery in our daily lives makes it easy for us to forget the photography’s complex and still-evolving history. This history is essential to Jeff Cowen’s art.

Cowen mines the whole of photography’s history, employing contemporary and antiquated techniques to create a unique visual style. His carefully constructed, large-scale works conform neither to mass media nor to typical art photography. An encounter with Cowen’s work challenges the fleeting glance which so dominates our current habits as visual consumers. Cowen favors classical genres like landscape, the figure, still-life and abstraction, avoiding the spectacular and thereby forcing the viewer to reconsider what may be taken as familiar. His approach is often described as “painterly” because of his extensive use of darkroom chemistry, painted color and applications of collage, in addition to creative camera work. Absent is the electric glare and glossy surface of all things digital. Cowen’s loving insistence on tactile imagery blurs distinctions of representation and presence, lending his work an uncanny plastic intensity and emotional depth.

Jeff Cowen was born in New York City in 1966. He studied photography with Elaine Mayes and later worked with Larry Clark and Ralph Gibson. As a young street photographer, Cowen examined life in the South Bronx, the Meatpacking District and other “fringe” neighborhoods of New York. His work from the late eighties of photographs documenting the lives of transgender sex workers is in the collection of the New York Historical Society. In the mid-nineteen nineties Cowen began to explore traditional drawing and painting techniques as a means to expand his photographic art. Since that time he has largely abandoned street photography in favor of the studio-based, cross-disciplinary approach for which he is known. Cowen has exhibited his work extensively in Europe, where he is based since 2001.
Cowen’s exhibition at VeneKlasen/Werner is his first solo exhibition in Berlin, where he currently lives and works.