The Fine Art Society Contemporary

Paul Davies: Built in Translation

Paul Davies: Built in Translation

pool home in trees by paul davies

Paul Davies

Pool Home in Trees, 2013

Price on Request

displaced home by paul davies

Paul Davies

Displaced Home, 2013

Price on Request

built home pool by paul davies

Paul Davies

Built Home Pool, 2013

Price on Request

palms home pool by paul davies

Paul Davies

Palms Home Pool, 2013

Price on Request

built in forest by paul davies

Paul Davies

Built in Forest, 2013

Price on Request

bridges nocturnal by paul davies

Paul Davies

Bridges Nocturnal, 2013

Price on Request

Friday, March 28, 2014Thursday, April 24, 2014

148 New Bond Street
London, United Kingdom

The Fine Art Society Contemporary presents work by Australian artist Paul Davies, produced during his three month residency at the Cite Internationale des Arts, Paris, awarded by the Art Gallery of New South Wales, Australia.

Paul Davies creates seductively atmospheric paintings that consider the precarious relationship between built and natural environments. These are not landscapes in the traditional sense, rather they are portraits of space and investigations into the limits of organic and urban forms. Idyllic yet abandoned, the homes in Davies’ work invite the viewer into the picture.

Davies represents notions of dislocation and timelessness by drawing heavily upon American and Australian Modernist architecture and distinctive natural topographies. The subjects include houses and landscapes from a variety of contrasting locations, which once stenciled, impose a structural order over the various backgrounds upon which they are painted. This process refers not just to the way Australia, since colonisation, has imported architectural styles to strive for a cultural identity. It also highlights the “struggle” against what is seen as the unforgiving natural environment.

Built in Translation features amongst others Le Corbusier’s French modernist icon, the Villa Savoye or “machine for living”. However, devoid of human form and repeated within foreign settings, these ‘textbook’ homes become eerie settings in which the viewer is invited to consider a variety of possible narratives.

The play between stenciled areas and free hand painting has always been a core component of the artist’s work and in recent years the contrast has been taken to further extremes. Referencing the work of British sculptor Rachel Whiteread, Davies has translated his stencils into sculpture. His ghostly bronze pieces refer to the bridges that hold the stencil together as an entire sheet. In his practice the stencil has become emblematic of a recurring structure, highlighting the imperceptible boundary between the past and the present.

Paul Davies (b.1979) is an Australian artist who lives and works in Sydney. He attended UNSW College of Fine Art and the National Art School, Australia. His most recent solo exhibitions include Flattening Sublime (2013) at the Cite Internationale des Arts, Paris, and Olsen Irwin Gallery, Sydney; Blow-Up (2013) at The Cat Street Gallery, Hong Kong; Pentimento (2012) at the Gold Coast City Gallery; Void (2011) at The Cat Street Gallery, Hong Kong; Hammer (2010) at the Tim Olsen Gallery, Sydney and Modern Home (2010) at Rebecca Hossack Art Gallery, London. Group shows include Evocatecture (2010) at the Heather James Fine Art Gallery, California; Natural Selection (2012) at The Fine Art Society Contemporary, London; Pat Corrigan: Art Collector (2011) at the Maitland Regional Art Gallery. Davies was a finalist in the Fleurei Art Prize, The Sovereign Art Foundation Art Prize, Hong Kong; and was recently awarded the artist residency at the Cite Internationale des Arts, Paris, by the Art Gallery of New South Wales.