The Court Gallery

Bryan Senior 'The Early Paintings 1958-61'

Bryan Senior 'The Early Paintings 1958-61'

caroline seated by bryan senior

Bryan Senior

Caroline Seated, 1959

vale of health summer by bryan senior

Bryan Senior

Vale of Health Summer, 1959

bridge, west hampstead by bryan senior

Bryan Senior

Bridge, West Hampstead, 1958

interior by bryan senior

Bryan Senior

Interior, 1960

Monday, October 21, 2013Saturday, October 26, 2013


Somerset, United Kingdom

The Court Gallery is staging an important exhibition of Bryan Senior's early paintings from 1958-61 at Gallery 27, Cork Street, London 21st - 26th October 2013. A complimentary catalogue is available on request.

Born in Bolton, Senior studied at Clifton College, Chelsea School of Art and Cambridge University where he read Modern Languages. He lived in London from 1957 and exhibited widely including with the Redfern Gallery, Wildenstein, Roland Browse and Delbanco and Arnolfini Gallery. His early work showed him to be in sympathy with the 'Kitchen Sink' group of painters who concentrated on ordinary domestic scenes employing heavy impasto to create highly textured paint surfaces. A major exhibition of works painted in this manner was staged at The Art Gallery, Bolton in 1961. He had a wide range of solo shows, including Crane Kalman and Fieldborne Galleries, Architectural Association, Richard Demarco Gallery in Edinburgh, Ashgate Gallery in Farnham and abroad, including Ireland, Italy and America. Writing about his work he has said, 'Painting has provided for me a vital link with the visible and tangible world - the only one to which, I feel, we can honestly relate. My subjects are the people, places, and things I have known. With these I identify, and I aim in my work to give them memorability and some degree of permanence. Hence I have remained a figurative artist, and a Realist.'

His work has won several awards and CASW, Nuffield Foundation, Financial Times, Hampstead Museum and Bolton Museum and Art Gallery hold examples of his work. Whilst many of his contemporaries turned to abstraction during the 1960s, Senior has remained determinedly a realist painter and in recent years has completed a series of large scale crowd pictures featuring figures in streets, markets and museums etc. These highly distilled images, revealing acute powers of observation, have a haunting, almost ghostly quality. Latterly he has lived in Tunbridge Wells, Kent.