Kim Joon: Somebody

Kim Joon: Somebody

somebody 5 by kim joon

Kim Joon

Somebody 5, 2014

somebody 3 by kim joon

Kim Joon

Somebody 3, 2014

island-snake by kim joon

Kim Joon

Island-Snake, 2013

green day 1 by kim joon

Kim Joon

Green Day 1, 2014

ebony-tiger by kim joon

Kim Joon

Ebony-Tiger, 2013

bird land-lacoste by kim joon

Kim Joon

Bird Land-Lacoste, 2013

Thursday, June 12, 2014Saturday, July 12, 2014

547 W. 27th Street
New York, NY 10001 USA

Kim Joon, one of Korea’s most notable emerging artists, introduces Somebody, a series of digital prints that explores the complicated, often contradictory relationship between body and mind. In addition to this new work, a selection of pieces from Kim’s previous series will also be on view.

Kim, who is based in Seoul, explores themes of desire, memory, fragility and obsession using digitally rendered tattoos, porcelain, animal skins and human body parts. A master of the computer software 3D Studio Max, Kim successfully juxtaposes traditional Asian motifs, Western Pop references and luxury brand logos.

In the new series Somebody, Kim examines the universal desire to transcend the limitations and imperfections of the body. He revisits familiar visual themes, including tattoos, exotic skins and Pop culture imagery, using the body as canvas to introduce bold pattern and vivid color. He deconstructs the human form like never before, creating frenetic compositions of fragmented body parts so abstract they require close examination to identify.

The exhibition will also showcase works from earlier series:

Bird Land (2009), one of Kim’s most noted series, raised questions about consumerism using tattoos as a metaphor for the hidden desires engraved onto the human consciousness. He covers digitally rendered nude bodies with bold logos from luxury brands such as Ferragamo, Montblanc and Vivienne Westwood, forming a surreal landscape reflecting society’s weakness for material objects.

With the series Fragile (2010) and Drunken (2011), Kim turned his attention to porcelain-like human figures, instead of the more naturalistic tattooed bodies he’d become known for. His porcelain figures are hollow, missing limbs, and above all, imperfect—a recurring theme in his work.

Blue Jean Blues (2012) explores desire, memory and youth, once again using images in porcelain. Fabricating compositions out of tableware, fragments of idealized nudes and objects of Western Pop culture including guitars, cars and guns, Kim alludes to nostalgic obsessions and attachments.

In Island (2013), the artist examined the volatile relationship between people and nature. This dramatic shift away from tattoos and luxury was spurred by two events: the Fukushima Daiichi nuclear disaster, which happened close to Kim’s home, and a visit to the volcanic island of Jeju, considered one of the most beautiful and mystical in Korea. Kim’s stunningly rendered images depict islands made of fragmented human bodies overlaid with exotic animal skins.

Kim Joon was born in 1966 in Seoul. His works have been exhibited at the Saatchi Gallery, London (where his work was featured on the cover of Korean Eye: Contemporary Korean Art, the book accompanying an exhibition of the same name); the Total Museum, Seoul; The National Museum of Contemporary Art, Kwachon, Korea; the Gwangju Biennale, Korea; and the National Taiwan Museum.