Steven Harvey Fine Art Projects presents a solo exhibition of new work by Sangram
Majumdar. Majumdar, born in 1976 in Calcutta, is an image-based painter who received
his BFA from Rhode Island School of Design and his MFA from Indiana University, and is
currently on the faculty at Maryland Institute College of Art.
This is the gallery’s second one-person exhibition of his work, which we have also featured
in a solo presentation at PULSE New York 2011 and in several group exhibitions.
Majumdar received a Marie Walsh Sharpe residency grant in 2010, and a Purchase Award
following his inclusion in the American Academy of Arts and Letters 2010 Invitational
This new body of work ranges thematically from a portrait (Portrait Projected), to a
painting that plays with geometric abstraction (Fall Into). Yet underlying all of the paintings
is a complex compositional process of image overlays - paintings atop paintings.
Majumdar’s work of ten years ago explored figure groups and crowds as subjects. In
his recent work, the figures are often erased, with just traces or remnants of their presence
remaining. Detailed, precisely drawn forms become pieces of a dense, but ultimately
unified surface. Open spaces and voids are explored as much as accumulations
The layering of fragmentary information relates to Majumdar’s reflections on Bengali
culture – the multi-day, multi-sensory religious festivals (pujas) that were part of his
childhood in Calcutta. These paintings contain references to the myth of Durga – a
Hindu Goddess who slayed the buffalo demon with her lion. The image layering is also
an exploration of our relationship to social media, where partial knowledge becomes
embedded in us – but only as fragments. The paintings in the exhibition are inter-related:
we find small segments of imagery repeated and re-mixed in different ways, for
example, in Smoke and Mirror and Fall Into. They become half-truths, a questioning of
image and narrative, and Majumdar invites the viewer to discover what is actually there.
My paintings are conversations between the notion of the familiar and the questions
it raises through the medium of painting. The work is never about arriving at a
resolution, but maintaining the question, not out of any existential romanticism, but
the sheer joy of the hunt. The paintings begin long before I pick up a brush, with a
desire to fabricate out of the familiar a situation that is in itself a hybrid. Working
against the factual nameability, the paintings are extensions of this metamorphosis.
Visual truth is complicated by the long-standing staunch conviction that what you
see is real. As a painter working with these conventions of naturalism, I have chosen
not to resolve the question of what is “it” or what is it? but rather to deepen the query
that confound the expected outcome. I am saying (to paraphrase Groucho Marx)
you shouldn’t believe me or your lying eyes. It should remain an ongoing investigation.
An open case.
The exhibition opens January 12th and continues through February 19th. There will
be a reception for the artist on Friday, January 13th from 6- 8pm. Gallery hours are
Wednesday- Sunday 12- 6pm and by appointment. Please contact the gallery at 917-860-
7617 or firstname.lastname@example.org for images or further information.