Stephen Friedman Gallery

Jim Hodges

(American, born 1957)

Jim Hodges

Scratched Sky/Horizontal III, 2012

Not Available

Jim Hodges

sometimes up there, 2013

Not Available

Biography

Timeline

1957: Born in Spokane, WA
1980: BFA, Fort Wright College, Spokane, WA
1986: MFA, Pratt Institute, Brooklyn, NY
1992: Mid-Atlantic Arts Foundation, NEA; Paintings and Works on paper Regional Fellowshi-
1994: Penny McCall Foundation Grant
1995: The Louis Comfort Tiffany Foundation
1999: Washington State Arts Commission
2000: California College of Arts and Crafts, Capp Street Project Artist-in-Residence
2001: Albert Ucross Prize
2006: AICA, Association Internationale des Critiques d’art
: Lives and works in New York, NY

Exhibitions

2009: Collection: MOCA’s First Thirty Years, Museum of Contemporary Art, Los Angeles
: Floating a Boulder: Works by Felix Gonzales-Torrez and Jim Hodges, Flag Art Foundation, New York
: Floating a Boulder: Works by Felix Gonzalez Torres and Jim Hodges, Flag Art Foundation, New York, NY
: Wall Rockets: Contemporary Artists and Ed Ruscha, The Flag Art Foundation, New York, NY
: Centre Pompidou, Paris, France touring to the Irish Museum of Modern Art, Dublin Ireland and Camden Art Centre, London, UK (solo)
: Aspen Art Museum, Aspen, CO (solo)
: New Prints 2008/Spring, New York School of Interior Design Gallery, NY
: Stephen Friedman Gallery, London, UK (solo)
: New Prints 2008/Spring, International Print Center, NY
2008: Anthony Meier Fine Arts, San Francisco, CA (solo)
: CRG Gallery, NY (solo)
2007: Ensemble, curated by Christian Marclay, ICA, University of Pennsylvania, Philidelphia, PA
: Sparkle Then Fade, Tacoma Art Museum, Tacoma, WA
: New Prints 2007, IPCNY, New york, NY
: PURE, Sean Kelly Gallery, New York, NY
: Like color in pictures, Aspen Art Museum, Aspen, CO
: I Remember Heaven: Jim Hodges and Andy Warhol, Contemporary Art Museum St. Louis, St. Louis, MO
: The Fluidity of Time: Selections from the MCA Collection, Museum of Contemporary Art, Chicago, IL
: Artpeace at the Schoolhouse: For Rosa Parks and Martin Luther King, Schoolhouse Gallery, Provincetown, MA
: GAY ART NOW, Curated by Jack Pierson, Paul Kasmin Gallery, New York, NY
: The Last Time They Met, Stephen Friedman Gallery, London
: SHINY, Wexner Center for the arts, Columbus, OH
2006: Out of Line: Drawings from the Collection of Sherry and Joel Mallin, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
: The Missing Peace: Artists Consider the Dalai Lama, UCLA Fowler Museum, Los Angeles, CA
: Universal Experience: Art, Life and the Tourist’s Eye, Museum of Contemporary Art Chicago, IL, continues at Hayward Gallery, London, UK (solo)
2005: Art inside the Park, curated by Atelier CMS Inc., Memorial Park, Jefferson City, MO
: Suspended Narratives, Lora Reynolds Gallery (curated by Maureen Mahony), Austin, TX
: Landscape Confection, Wexner Center for the Arts, Columbus, OH (publication)
: Universal Experience: Art, Life , and the Tourists’ Eye, Chicago Museum of Contemporary Art, Chicago, IL
: Visual Music: 1905-2005, Museum of Contemporary Art, Los Angeles, CA
: Jim Hodges: this line to you, Santiago de Compostella, Spain (solo)
: Mad About the Boy, The New Gallery, Walsall, England
: Off the Wall: Works from the JPMorgan Chase Collection, Bruce Museum of Arts and Sciences, Greenwich, CT
: Drawing Modern: Works from the Agnes Gund Collection, The Cleveland Museum of Art, Cleveland, OH
: Shelly Hirsch & Jim Hodges, Roulette at Location One, New York, NY
: The Whitney Biennial, Whitney Museum of American Art, New York, NY
2004: Don’t Be Afraid, Worcester Art Museum, Worcester, MA (solo)
: Treble, SculptureCenter, Long Island City, New York
: Jim Hodges, Henry Art Gallery in Seattle, WA (solo)
: Site and Insight: an Assemblage of Artists, P.S. 1 Contemporary Art Center, Long Island City, NY
: Colorsound, Addison Gallery of American Art, Phillips Academy, Andover, MA (solo)
: In the Making: Contemporary Drawings from a Private Collection, University Gallery, Fine Arts Center, University of Massachusetts, Amherst
: De Kooning to Today: Highlights from the Permanent Collection, Whitney Museum of American Art, New York, NY
: Returning, Art Pace, San Antonio, TX (solo)
: Stephen Friedman Gallery, London (solo)
: Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY; Weatherspoon Art Museum, Greensboro Art, Cleveland, NC; Museum of Contemporary, Cleveland, OH (solo)
: Legacy: A Benefit Exhibition of Works by Capp Street Project Alumnae, Anthony Meier Fine Arts, San Francisco, CA
: Tracing the Sublime, Addison Gallery of American Art, Phillips Academy, Andover, MA
: In Full View, Andrea Rosen Gallery, New York, NY
2003: Fast Forward: 20 Years of White Rooms, White Columns, New York, NY
: Pretty, ATM Gallery, New York, NY
: Linger, Artimes, Greenberg, Van Doren Gallery, New York, NY
: Mask or Mirror? A Play of Portraits, Worcester Museum of Art, Worcester, MA
: All the Way with Jim + Shel, Jim Hodges and Shelley Hirsch, Portland Institute for Contemporary Art, Portland, OR
: Subway Music Box, The CCAC Institute, Capp Street Project, Oakland, CA (solo)
: Subway Music Box, Eastern Washington State Historical Society / Cheney Cowle Museum, Spokane, WA (solo)
: like this, Dieu Donné Papermill, New York, NY (solo)
: this and this, CRG Gallery, New York, NY (solo)
: Summer Group Exhibition, Marc Foxx Gallery, Los Angeles, CA
: Chapter V, Art Resources Transfer, New York, NY
: Miami Currents: Linking Collection and Community, Miami Art Museum, Miami, FL
: Life Death Love Hate Pleasure Pain, Museum of Contemporary Art, Chicago, IL
: Arte Povera American Style: Funk, Play, Poetry & Labor, Reinberger Galleries, The Cleveland Institute of Art, Cleveland, OH
: Contemporary American Paper Artists: An Invitational Exhibition, Columbia College Chicago Center for Book and Paper Arts, Chicago, IL
: Mirror Mirror, Mass MoCA, North Adams, MA
: Jim Hodges: Constellation of an Ordinary Day, Jundt Art Museum, Gonzaga University, Spokane, WA (solo)
2002: Sugar and Cream, Triple Candie, Harlem, New York, NY
: Camargo Vilaca, Sao Paulo, Brazil (solo)
: Patterns: Between Object and Arabesque, Kunsthallen Brandts Klædefabrik, Odense, Denmark
2001: Uncommon threads, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY
: CAMERA WORKS: The Photographic Impulse in Contemporary Art, Boesky Gallery, New York, NY
: ZONE F; An approach to the spaces inhabited by the feminist discourses in contemporary art, EACC, Espai d'Art Contemporani de Castelló, Spain
: Vanitas: Meditations on Life and Death in Contemporary Art, Virginia Museum of Fine Arts, Richmond,VA
: Of the Moment: Contemporary Art from the Permanent Collection, SFMOMA, San Francisco, CA
: The Trunk Show, Zoller Gallery, Penn State University, University Park, PA
: Outbound:Passages from the 90's, Contemporary Arts Musuem, Houston, TX
: Subway Music Box, Tecoah Bruce Gallery of the Oliver Art Center, California College of Arts and Crafts, Oakland, CA (solo)
: Projects 70 - Jim Hodges, Beatriz Milhazes, Faith Ringgold, Museum of Modern Art, New York, NY
: et comme l'esperance est violente.., Frac des Pays de la Loire, Carquefou, France
: Gardens of Pleasure, John Michael Kohler Arts Center, Sheboygan, WI
2000: Anthony Meier Fine Arts, San Francisco, CA (solo)
: Age of Influence:Reflections in the Mirror of American Culture, Museum of Contemporary Art, Chicago, IL
: Natural Dependency, Jerwood Gallery, London, England
: Fresh Flowers, Bellevue Art Museum, Bellevue, WA
: Collectors Collect Contemporary: 1990-1999, The Institute of Contemporary Art, Boston, MA
: Matter of Time, curated by Andrew Perchuk, Dorsky Gallery, New York, NY
: every way, Museum of Contemporary Art, Chicago, IL, continues to Institute of Contemporary Art, Boston, MA (solo)
1999: 1999 Drawings, Alexander and Bonin, New York, NY
: Miami Art Museum, Miami, FL (solo)
: The American Century: Art and Culture, 1900-2000, Part II, The Whitney Museum of American Art, New York, NY
: Regarding Beauty: A View of the Late 20th Century, Hirshhorn Museum and Sculpture Garden, Washington, D.C.
: Marc Foxx Gallery, Los Angeles, CA (solo)
1998: Let Freedom Ring, ICA/VITA BREVIS, Boston, MA
: Abstract Painting Once Removed, Contemporary Arts Museum, Houston, TX, continues to Kempner Museum of Contemporary Art, Kansas City, MO
: Political Pictures: Confrontation and Commemoration in Recent Art, Robert Hull Fleming Museum, University of Vermont, Burlington, VT
: Robert Hull Fleming Museum, University of Vermont, Burlington, VT (publication)
: AIDS WORLDS-Between Resignation and Hope, Centre d'Art Contemporain, Geneva, Switzerland
: CRG Art, Inc., New York, NY (solo)
: Jim Hodges: Welcome, The Kempner Museum of Contemporary Art, Kansas City, MO (solo)
: Poetics of Obsession, Linda Kirkland Gallery, New York, NY
: Gothic, The Institute of Contemporary Art, Boston, MA
: Des Fleurs en Mai, FRAC, Nantes, France
: Longing and Memory, Los Angeles County Museum of Art, Los Angeles, CA
1997: Galerie Ghislaine Hussenot, Paris, France (solo)
: Hanging by a Thread, Hudson River Museum, Westchester, NY
: Present Tense: Nine Artists in the Nineties, San Francisco Museum of Modern Art, San Francisco, CA
: SITE Santa Fe, Santa Fe, NM (solo)
: 7th Bienal Internacional de Esculturae Desenho des Caldas da Rainha Bienal, Portugal
: States, The Fabric Workshop & Museum, Philadelphia, PA (solo)
: Galerie Ghislaine Hussenot, Paris, France
: Swag & Puddle, The Work Space, New York, NY
: yes, Marc Foxx, Santa Monica, CA (solo)
: UNIVERSALIS, The 23rd International Sao Paulo Bienale, Brazil
: Material Matters, A.O.I. Gallery, Santa Fe, NM
1996: Just Past: The Contemporary in MOCA’s Permanent Collection 1975-1996, Museum of Contemporary Art, Los Angeles, CA
: Masculine Measures, John Michael Kohler Arts Center, Sheboygan, WI
: Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY (solo)
: CRG Art, Inc., New York, NY (solo)
: Sex Sells, Benefit for The University Art Museum and Pacific Film Archive, Rena Bransten Gallery, San Francisco, CA
: In a Different Light, University Art Museum, University of California at Berkeley, Berkeley, CA
: Material Dreams, Gallery Takashimaya, New York, NY
: Mon Voyage ‡ New York, Galerie Elizabeth Valleix, Paris, France
: Avant-Garde Walk a Venezia, curated by Marc Pottier in conjunction with the Venice Biennale, Venice, Italy
: Late Spring, Marc Foxx, Los Angeles, CA
1995: New Works, Feigen Gallery, Chicago, IL
: soucis de pensées, Art: Concept/Olivier Antoine, Nice, France
: Desire, benefit for DIFFA, Charles Cowles Gallery, New York, NY
: A Garden, Barbara Krakow Gallery, Boston, MA
: Who Chooses Who, Benefit Auction, The New Museum of Contemporary Art, New York, NY
: A Bouquet for Juan (An exhibition in honor of Juan Gonzales), Nancy Hoffman Gallery, New York, NY
: Les fleurs de mon jardin, Galerie Alain Gutharc, Paris, France
1994: Everything For You, Interim Art, London, England (solo)
: Ethereal Materialism, curated by Susan Harris, Apex Art, New York, NY
: It's how you play the game, Exit Art/The First World, New York, NY
: A Diary Of Flowers, CRG Art, Inc., New York, NY (solo)
: DYAD, curated by Annie Heron, Williamsburg, Brooklyn, NY
: Sculpture & Multiples, Brooke Alexander, New York, NY
: Outside Possibilities, The Rushmore Festival, Woodbury, NY
: Jim Hodges, Brooke Alexander, New York, NY
: It's Really Hard, Momenta Art, New York, NY
: Museo Statale d'Arte Mediovale e Moderna, Arezzo, Italy
: The Eidetic Image: Contemporary Works on Paper, Krannert Art Museum, University of Illinois at Urbana-Champain, Urbana-Champain, IL
: Selections/Spring '93, The Drawing Center, New York, NY
: Arachnosphere, Ramnarine Gallery, Long Island City, NY
: The Animal in Me, Amy Lipton, New York, NY
: Opening Exhibition, Rowles Studio, Hudson, NY
: Our Perfect World, Grey Art Gallery, New York, NY
1993: Jim Hodges and Bill Jacobson, Paul Morris Fine Art, New York, NY
: Beyond Attrition: Art in the Era of Aids, Washington Project for the Arts, Washington, D.C.
: Update 1992, White Columns, New York, NY
: The Temporary Image, S.S. White Building, Philadelphia, PA
: New Aids Drug, Het Apollohuis, Eindhoven, Holland (solo)
: Healing, Rena Bransten Gallery, San Francisco, CA
1992: Collector's Show, Arkansas Arts Center, Little Rock, AK
: An Ode to Gardens and Flowers, Nassau County Museum of Art, Roslyn Harbor, NY
1991: White Room, White Columns, New York, NY (solo)
: Black and White, Nancy Hoffman Gallery, New York, NY
: Lyric, Uses of Beauty at the End of the Century, White Columns, New York, NY
1990: Auction for Action, Act-Up Benefit, New York, NY
: Jim Hodges, David Nyzio, Vincent Shine, Postmasters, New York, NY
: Partnership for the Homeless with Aids, Christie's, New York, NY
: Reclamation, Momenta Art Alternatives, Philadelphia, PA
1989: Selections, Artist's Space, New York, NY
: Historia Abscondita, Gonzaga University Gallery, Spokane, WA (solo)
1988: Installation, Momenta Art Alternatives, Philadelphia, PA
1986: Master of Fine Arts Thesis Exhibition, Pratt Institute, New York, NY (solo)

Literature

2007: Hackett, Regina, Solo artists' works come together in harmony in Tacoma Art Museum exhibit, Seattle Post Intelligencer, June 8, 2007
: Bonetti, David, I Remember Heaven: Jim Hodges and Andy Warhol, St. Louis Post-Dispatch, February 2, 2007
2006: Knight, Christopher, “Adventurers enticed by the landscape”, Reviews, Los Angeles Times, February 28, 2006
: Spears, Dorothy, "Evidence of a Life Lived", Art on Paper, Jan. 2006
2005: Art Now, Volume 2, Edited by Uta Grosenick, Taschen GmbH, 2005
: Morris, Bob, "On Jim Hodges", Converge 2, Miami Art Museum, 2005
: Carrier, David, "Jim Hodges: Museum of Contemporary Art, Cleveland", Artforum, April issue, p. 192-193
: Molesworth, Helen, Landscape Confection: Wexner Center for the Arts and The Ohio State University, p.34-37
2004: Zaza, Tony. “No More Super-Sizing: Sizing the Biennial,” New York Arts, Vol. 9, No. 5/6, May- June 2004, p. 17.
: Smith, Roberta. “At Shows Painted With Sound, Be Prepared to See With Your Ears,” The New York Times, May 21, p. E29.
: Hoban, Phoebe. “Open Houses, Miami Style: 7BRs, Ocn Vu, WrldClassArt,” New York Times Magazine, March 14, 2004.
: Kimmelman, Michael. “Touching All Bases at the Biennial,” The New York Times, Art Review, March 12, 2004, p. E27.
: Buskirk, Martha, "The Contingent Object of Contemporary Art," MIT Press, p. 152
: Boyce, Roger, “Neither Here Nor There, Mirror Mirror at MASS MoCA: Manipulations of reflective surfaces reveal ourselves over and again,” Art New England, February/March 2003, p. 16-17, 74.
: Camper, Fred. "On Exhibit: first glimpses of Art Chicago 2003, Chicago Reader, May 9, 2003. Section 1, p.35
: Harris, Susan. “Jim Hodges at CRG,” Art in America, January 2003, p. 107.
: Johnson, Ken. "Gathering a Flock of Quirky Grown-Ups," Jul. 18, 2003
: Baker, Kenneth, "Capp Street Benefit Show," San Francisco Chronicle, Aug. 16, 2003
2003: Johnson, Ken. “Alumni Return, Juxtapsing Past and Present,” The New York Times, November 28, 2004, p. E46.
: Temin, Christine. "His sound art echoes in the mind," The Boston Globe, July 9, 2003. p. D1, D6
: Horodner, Stuart. “Jim Hodges,” Bomb Magazine, Spring Issue No. 79, p. 100-101
: Demarest, Marty. “Subterranean Sounds,” The Inlander Online
: Johnson, Ken. “Jim Hodges,” The New York Times, May 31, p. E39
: Art On Paper, July - August Issue, p.44-45
: Johnson, Ken. “Linger,” The New York Times, June 28, p. E34
: Hughes, Robert J. “All the Way with Jim and Shell,” The Wallstreet Journal, August 2, 2002, p. w2
: Mahoney, Robert. Time Out NY, August 15, 2002, Issue 359.
: Crane, Julianne. “Eye-Catcher,” Spokesman Review, August 22, 2002
2002: Jowitt, Deborah. “Slow Down!,” The Village Voice, November 6 – 12, 2002.
: Crane, Julianne. “Craftiness comes in many shades,” Spokesman Review, August 1, 2002
2001: Mahoney, Robert. ‘Jim Hodges,’ Time Out New York, August 9, 2001. Issue 307.
: Levin, Kim. ‘Short List,’ The Village Voice, August 7, 2001.
: Smith, Roberta. ‘Quick as a Shutter, Group Shows Shatter Conventional Wisdom,’ The New York Times, July 6, 2001.
: Schmerler, Sarah. ‘James Graham and Sons, through August 3rd,’ Time Out New York, Issue 304.
: Keats, Jonathon. "Letters to a young Artist," San Francisco Magazine, Feb., 2006, p. 56-57
: Musgrave, David. Natural Dependency, Art Monthly, Nov. - Dec. 2000 p. 232
: Jowitt, Deborah. "Amour, Sex, and All That Jazz", The Village Voice. Feb. 29, 2006, p. 61-62
: Baker, Kenneth. San Francisco Chronicle. April 22, 2006. p. E1 & E1
: Moreno, Gean. "Interview: Jim Hodges," New Art Examiner. June, 2006. pp.13-15
: The New Yorker, "Museum of Modern Art", Sept. 11, 2006, p. 18
2000: Labelle, Charles. Review. Frieze, Sept. - Oct., p. 119-120
: Kastner, Jeffrey. “Review – Jim Hodges,” art/text, February.April 1999.
: Dobrzynski, Judith H. “Taking the Ordinary and Finding the Beautiful,” The New York Times, March 24, 1999, page E1.
: Temin, Christine. "Thurber, Hodges limn a landscape of loss," The Boston Globe, September 10, p. F1 & F10
: Temin, Christine. “Collectors’ Best of the ‘90’s,” Boston Globe, April 2, 1999.
: Rugoff, Ralph. "beauty bites back," Harper’s Bazaar, October, pp. 234-235
: Benjamin, Marina. "One sensation after another," Evening Standard, London, Friday Nov. 5, p.62
1999: "He’s not Here: Terry Myers visits Jim Hodges studio in New York," TRANS>, No.6, p.174
: Cotter, Holland. "Art in Review," The New York Times, Sept. 10, p.E36
1998: Perchuk, Andrew. “Review – Jim Hodges,” ARTFORUM, December 1998.
: Heartney, Eleanor. “Review – Jim Hodges,” Art in America, November 1998.
: Arning, Bill. "Jim Hodges: An Artist’s Mirror Image," OUT, Issue 58, p. 38, Sept., 1998
: Cotter, Holland. “Review – Jim Hodges,” The New York Times, September 25, 1998.
: Levin, Kim. “Short List,” Village Voice, September 23-29, 1998.
: Grundberg, Andy. “Review – Present Tense: Nine Artists in the Nineties,” ARTFORUM, February 1998.
: McClure, Lissa. “Review,” Review, February 1, 1997.
: Hart, Jane. “Review,” ZINGMAGAZINE, Autumn/Winter 96/97.
: Knight, Christopher. “Review – Longing and Memory,” The Los Angeles Times, June 7, 1997.
1997: Darling, Michael. “Review – Longing and Memory,” LA Weekly, June 20-26, 1997.
: McKenna, Kristine. “Review – Longing and Memory,” The Los Angeles Times, June 7, 1997.
1996: Decter, Joshua. “Review,” ARTFORUM, November 1996.
: Killam, Brad. “Review,” New Art Examiner, September 1996.
: Spector, Nancy. "Peripheral Visions: Jim Hodges and Siobhan Liddell," The Guggenheim Magazine, Fall Isuue, p. 33
: Deitcher, David. “Death in the Marketplace,” Frieze, June/July/August 1996.
: Kandel, Susan. “Review,” Los Angeles Times, June 6, 1996.
: Darling, Michael. “Review,” Los Angeles Times, May 31, 1996.
1995: Smith, Roberta. "Critic's Choice," The New York Times, November 24, 1995.
: Levin, Kim. "Choices" The Village Voice, November 28, 1995.
: Canning, Susan. "Review-Ethereal Materialsm, New Art Examiner, (February 1995)
: Cameron, Dan. “Seven Up,” Art&Auction, June 1995.
: Harris, Susan. "Review," ARTnews, April 1994.
: Upshaw, Reagan. "Review," Art In America, May 1994.
1994: Smith, Roberta. "Art Reviews," The New York Times, February 11, 1995.
: Edelman, Robert G. "Review," artpress, March 1994.
: Weinstein, Mathew. "Review," Artforum, May 1994.