Sabine Knust Galerie Maximilian Verlag

Thomas Zipp

(German, b. 1966)

white reformation (mappe) by thomas zipp

Thomas Zipp

White Reformation (Mappe), 2010

Price on Request

white reformation a by thomas zipp

Thomas Zipp

White Reformation A, 2010

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white reformation b by thomas zipp

Thomas Zipp

White Reformation B, 2010

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white reformation c by thomas zipp

Thomas Zipp

White Reformation C, 2010

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white reformation d by thomas zipp

Thomas Zipp

White Reformation D, 2010

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white reformation e by thomas zipp

Thomas Zipp

White Reformation E, 2010

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Biography

Timeline

1966
Born in Heppenheim, Germany
1992 - 1998
Studied at the Freien Kunst Städelschule Frankfurt/M. and the Slade School London
2006
Guest professorship at Hochschule der Bildenden Künste Karlsruhe, Germany
Lives and works in Berlin

Exhibitions

2013
Galerie Guido W. Baudach, Berlin, Germany
the pink noise diaries, Kaufmann Repetto, Milan, Italy (solo)
2012
Comparative Investigation about the Disposition of the Width of Circle, KAI 10, Arthena Foundation. Düsseldorf, Germany (solo)
The Chips are down, Harris Lieberman, New York, USA (Solo)
Beyond Memory, Museum on the Seam, Jerusalem, Israel
The Poster Show, Galerie Carlier – Gebauer, Berlin, Germany
BLACKOUT CHAMBERS, L´ARC DE CERCLE & DISSOCIATIVE AMNESIA, Berlin, Germany (solo)
2011 - 2012
Beyond the Superego, Galerie Krinzinger, Vienna, Austria (solo)
Gesamtkunstwerk: New Art from Germany, Saatchi Gallery, London, England
Berlin-Klondyke 2011, Art Center Los Angeles, Los Angeles, USA

Literature

2006
“Emily Speers Mears, Thomas Zipp, Of Mice and Men,” 4th Berlin Biennial of Contemporary Art, Exhibition Guide, Hatje Cantz Verlag, 2006, pp. 128-129.
Hafner, Hans-Juergen. “Vom Deuten und Bedeuten – Thomas Zipp bei Guido W. Baudach,” online Review, www.artnet.de, 8.3.2006
Choire Sicha, “Sillman, Hesse, Walker. How ‘bout Utah for some art,” The New York Observer (online), Spring Preview 2006
Hamacher, Sophie. “Berlin Critics’ Picks,” Artforum.com, February 2006
Prince, Marc. “Pluralism and the ´isms of art history,” Art Monthly, February 2006 / No 293, pp.7-11
2005
Smith, Roberta. “A Carnival of Art, Money, Surf and Sand,” New York Times, 3.12.2005
Thomas Zipp, Achtung! Vision: Samoa, The Family of Pills & The Return of the Subreals, Hatje Cantz Publisher, 2005
“Heitere Qaeälnummern”, Der Spiegel, Nr. 34/2005: 127.
2004
“Thomas Zipp”, art, Nr.9 / September 2004: 56
Veit Loers, „Ich komme Wohl, doch bleib ich nicht...“, Thomas Zipp , Neroin & The new Breed, Publisher Heckler und Koch, Berlin, 2004.