Holly Andres: Sparrow Lane

Holly Andres: Sparrow Lane

the spilt milk by holly andres

Holly Andres

The Spilt Milk, 2008

the pink chair by holly andres

Holly Andres

The Pink Chair, 2008

Thursday, October 23, 2008Saturday, December 6, 2008


New York, NY USA

Holly Andres: Sparrow Lane
October 23 – December 6, 2008
Reception: Thursday, October 23, 6-8pm

Holly Andres’s first solo exhibition in New York will feature photographs from the series Sparrow Lane, including the debut of new works in the series. Displaying a rich understanding of color and composition, Andres’s tableaux depict young women on the threshold of adulthood, propelled by their curiosity and sense of discovery. Sparrow Lane is a strange yet familiar world filled with floral wallpapers, satin dresses, vanity mirrors, and family photos in gilded frames—the trappings of adolescence in a bygone age.

Drawing equally upon Hitchcockian cinematic tropes and Nancy Drew dust jackets, Andres’s stunning photographs plumb psychological depths that are as quixotic as they are visually seductive. Her protagonists seem caught in states of hyper-self-consciousness: suspicious of watching eyes out of frame, their stiff gestures betray their vulnerability. On the brink of discovery—at that awkward age when one is no longer a child, but not yet fully an adult—these heroines appear as much posed as poised. Their snooping is comprised of small transgressions borne of a strong dose of curiosity, incidents along the way to some personal revelation.

Here at Sparrow Lane mirrors, birdcages, spilt milk, secret passage ways, skeleton keys and hidden objects abound. Andres’s use of familiar iconography hints at possible meanings in these not-quite-hard-boiled dramas. Like in gothic fiction, the landscapes and architecture are coded spaces, full of mystery and surprises. But Andres’s playful staging and luscious colors temper any ominous undertones. The accumulated series suggests elliptical narratives, but any resolution is elusive; the pleasure of viewing instead draws upon the photograph’s allusive and metaphorical qualities—all revealed in Technicolor.

Sparrow Lane is Holly Andres’s first exhibition with Robert Mann Gallery. She recently had a solo exhibition at Quality Pictures Contemporary Art in Portland, Oregon. Her previous body of work, Stories from a Short Street, was exhibited earlier this year at the Missoula Art Museum. Andres was included in the 2006 Oregon Biennial at the Portland Art Museum and her films have been featured in numerous film festivals. She is a professor at Portland State University, and lives in Portland, Oregon.

View Sparrow Lane online at www.robertmann.com beginning October 23.

Robert Mann Gallery is located at 210 Eleventh Avenue between 24th and 25th Streets, Floor 10. Hours are Tuesday-Saturday, 11am-6pm. For additional information and press materials, please contact the gallery by telephone (212.989.7600) or by email (mail@robertmann.com).