Pearl Lam Galleries

Lan ZhengHui: Ink Painting Dream

Lan ZhengHui: Ink Painting Dream

Shanghai, China Thursday, January 6, 2011Thursday, March 10, 2011

Shanghai, China
Thursday, January 6, 2011Thursday, March 10, 2011


Opening reception: January 6, 2011, 5-7pm
Exhibition on show from January 6-March 15, 2011

Ink Painting Dream, an exhibition showcasing Lan Zhenghui’s ink wash paintings, will be on view at Contrasts Gallery in Shanghai from January 6 to March 15, 2011 at No. 181 Middle Jiangxi Road, G/F, Shanghai, China.

Lan Zhenghui’s monumental paintings and striking use of black ink reflect his constant pursuit of expression and feeling. His works are “emotional bursts on paper” characterized by an abstract ink-splash style. Influenced by his background in science, Lan’s aesthetic moves deftly between the realms of the rational and irrational. His brushstrokes are created by systemic body movements, which contribute to the visual and spiritual impact of the works with the swelling of muscle, blood and physical power.

Lan’s work transmits the “strokes” of traditional Chinese calligraphy into the “structure” of modern painting, the “freehand” of traditional Chinese painting into the “expression” of modern painting, and replaces the “chi” found in Chinese ink brush tradition with his own “heavy ink” approach.

The exhibition will feature five series of works, which for Lan Zhenghui explore the basic principles at the origin of a painting. Each different series stresses aspects of Lan’s ink-painting dream. Thus, in his aesthetic, his dream is combined with scholarly thought. The Lovesickness series embodies a conflict of complex human emotions, while his Leap series symbolizes a pioneering spirit striving to make progress. Referring to one of the most important topics for contemporary scholars, Leap conceptualizes the feeling of jumping as an epitome of heroism. The Standing series represents Lan's artworks from the past and future, elaborating on his existence, value and significance as a person. The Hesitation series suggests misgivings, retrospection and hesitation, but also concentrates on the activities of the human heart, the power of thought and of contradiction. The final series, Satori refers to the sudden enlightenment achieved in Zen Buddhism. Lan’s Satori series expresses his insight on and perception of objects and their essence.

Ink Painting Dream refers to the general rather than the specific. It illustrates the chasm between dream and reality and, ultimately, embodies the artist ‘s views on the future of ink painting.

About Lan Zhenghui
Lan Zhenghui, born in Sichuan in 1959, is an abstract ink brush painter who graduated from Sichuan Fine Arts Institute. His style has been termed “heavy ink” by art critic Liu Xiaochun. The description refers both to the large scale of Lan’s works and also reflects the weight of power and spirit within them. Lan puts great emphasis on brush movements, which make his characters come alive. In this aspect of his work, one can see the benefit of his research on symbol structure in the 1990s. In 2000, he launched a “power brush” movement with some of his fellow artists to promote the natural sense of motion and power in ink brush and oppose contrived methods of expression.

About Contrasts Gallery
Since its inception in 1992, Contrasts Gallery, based in Shanghai, has showcased leading contemporary Chinese artists, and has brought the work of international artists to China. The Gallery has evolved from a philosophy rooted in the tradition of Chinese Literati art, which promotes art for the sake of self-cultivation and embraces creativity without hierarchies. The Gallery's exhibition program is designed to create new cultural exchanges between artists from the East and West, working in divergent traditions and across disciplines.