McDermott & McGough : Detroit

McDermott & McGough : Detroit

uncesored, 3am, 1958 by mcdermott & mcgough

McDermott & McGough

Uncesored, 3AM, 1958, 2007

Price on Request

the nations innkeeper, 1958 by mcdermott & mcgough

McDermott & McGough

The Nations Innkeeper, 1958, 2007

Price on Request

the city and the pillar, 1958 by mcdermott & mcgough

McDermott & McGough

The City And The Pillar, 1958, 2007

Price on Request

dawn, 1958 by mcdermott & mcgough

McDermott & McGough

Dawn, 1958, 2007

Price on Request

boys in a bedroom, 2am, 1958 by mcdermott & mcgough

McDermott & McGough

Boys in a Bedroom, 2AM, 1958, 2007

Price on Request

texaco motor oil display, 1958 by mcdermott & mcgough

McDermott & McGough

Texaco Motor Oil Display, 1958, 2007

Price on Request

Saturday, August 2, 2014Monday, September 15, 2014
Opening Reception: Saturday, August 2, 2014, 4 p.m. (EST)

Kustlaan 90, Kustlaan 124-126
Knokke, 8300 Belgium

McDermott & McGough : Detroit

“I’ve seen the future, and I’m not going.”
– David McDermott

As visual artists, David McDermott and Peter McGough are contemporary artists known for their works in painting, photography, sculpture and film. They currently split their time between Dublin and New York City.

They are best known for using alternative historical processes in their photography, including the techniques of cyanotype, gum bichromate, salt, tri color carbo, platinum and palladium. The subjects they approach are popular art and culture, religion, medicine, advertising, time, fashion and sexual behavior.

David McDermott was born in 1952 in Hollywood, California. He studied at Syracuse University, New York from 1970 to 1974. Peter McGough was born in 1958 in Syracuse, and studied at the same university in 1976. Their paths never crossed until they both moved to New York City some years later and started their artistic collaboration in 1980. They have since become well known for their way of blending art and daily life. Their photography involves appropriating images and objects from the late 19th century to the mid 20th century, and they project an image of themselves as gentlemen, posing as erudite, impertinent characters. In this way they have chosen to immerse themselves in the period of the Victorian era at the close of the 19th century to the style of the 1930s. During the 1980s, McDermott & McGough dressed, lived, and worked as artists and “men about town,” circa 1900-1928: they wore top hats and detachable collars, and converted a townhouse on Avenue C in New York City’s East Village, which was lit only by candlelight, to its authentic mid-19th century ideal. “We were experimenting in time,” says McDermott, “trying to build an environment and a fantasy we could live and work in”.

Like their lifestyle, their photographs betoken a flat refusal to embrace the historical presentThis obsession with the past is reflected in the subjects and styles they bring back to life, and in the precise fictional dates they give to their works. The personal dimension of their work makes it into a deliberately provocative and controversial contemporary artistic performance dealing with political and sociological issues. McDermott & McGough’s work has appeared in solo and group exhibitions, in galleries such as Cheim & Read, Galerie Jérôme de Noirmont, Pat Hearn Gallery, Massimo Audiello Gallery, Galleria Gian Enzo Sperone, Sperone Westwater, Galerie Bruno Bischofberger, and also in public institutions such as Frankfurter Kunstverein, Whitney Museum of American Art, New Museum of Contemporary Art, Centre Pompidou, Kunsthalle Wien, Manezh Moscow and the Irish Museum of Modern Art. Previous exhibitions also include the Whitney Biennial, New York, in 1987, 1991 and 1995. McDermott & McGough mounted a mid-career retrospective at the Provincial Museum voor Moderne Kunst, Oostende, Belgium.