Main Gallery: Cheryl Pope; Gallery Two: Kenichi Yokono

Main Gallery: Cheryl Pope; Gallery Two: Kenichi Yokono

happy squat by kenichi yokono

Kenichi Yokono

Happy Squat, 2014

Price on Request

one of many, one by cheryl pope

Cheryl Pope

One of Many, One, 2014

Price on Request

Saturday, June 28, 2014Saturday, August 9, 2014 (Opening Reception: Saturday, June 28, 2014, 6 p.m. (EST))

5790 Washington Boulevard
Culver City, CA 90232 USA

Cheryl Pope
Chain Reaction


Mark Moore Gallery proudly presents Chain Reaction, a solo exhibition of mixed-media sculpture, photography, video, and installation by Chicago-based artist Cheryl Pope. This latest body of work is a continuation of the research conducted for her Just Yell exhibition in 2013, which investigates segregation, youth violence, power, and privilege as relating specifically to the bodily identity. Throughout the research and production of her work, Pope continues to explore her own mis-education about race, authority, history, and identity all the while searching to deconstruct the sociopolitical systems at play.

Known for its alarming murder rate, the city of Chicago serves as Pope's primary motivation for examining how issues of connectivity and community affect its largely segregated neighborhoods. Works such as Black_White (Broach) (2014) visualize the racial tension of the city by literally linking the words "black" and "white" together with faux gold chains — thus creating two large broaches that, if worn, would adjoin two individuals. The interwoven broaches suggest the need for communal dialogue, and also illustrate how the effects of violence on one individual is intrinsically linked to that of another. Her video One of Many, One (2014) further delves into the seemingly inexhaustible chain reaction created by gun violence. The video portrays a series of Chicago youth dressing themselves in memorial "RIP" t-shirts. Beginning with an individual putting on one shirt, the video progresses in a similar fashion to a cumulative song — each subsequent youth wears one more shirt than the individual preceding him or her, and each new shirt bears their predecessor’s face. The accumulating loss grows increasingly personal as each successor is faced with the reality that they are next in line to be mourned. Other works such as Too Young to Die (2014) and In Loving Memory (altar) (2014) metaphorically symbolize the tragic loss of Chicago’s young populations. As an extension of her work, the artist has invited a guest to attend the opening: Britteney Black Rose Kapri, a teaching artist and author of WINONA AND WINTHROP, a collection of poems heralded as "relentless; they push your cheek against the concrete of girl life in the city, and demand you breathe deep." by critic Krista Franklin. Kapri will perform a selection of her poetry at the opening. Also performing at the opening will be members of Street Poets Inc., a non-profit organization that provides poetic license and outlets to "at-risk youth in the juvenile detention facilities, schools and streets of Los Angeles County to discover and develop their voices as writers, artists and human beings."

Pope received her Masters in Design in 2010 from the School of the Art Institute of Chicago — as a recipient of a Full Tuition Merit Scholarship — and her Bachelors in Fine Arts from the same institute in 2003. In the past eight years, her work has been included in many group exhibitions, including those at the Evanston Art Center (IL), Boomerang (IL), Swimming Pool Projects (IL), Museum of Contemporary Art Chicago (IL), the School of the Art Institute of Chicago (IL), and The Morgan Conservatory (OH). Her work is included in the permanent collections of the Museum of Contemporary Art San Diego (CA), Honolulu Museum of Art (HI), and Sweeney Art Gallery, University of California Riverside (CA).

Kenichi Yokono
The New Suburbs


Mark Moore Gallery proudly presents New Work, a solo exhibition of painted wood carvings by Japanese artist Kenichi Yokono in Gallery Two. This latest body of work is a continuation of the artist's trademark adaptation of traditional woodcutting through a distinctively contemporary voice. In merging the customary with the unorthodox, Yokono's bold and enchanting cartoon-like narratives illustrate quotidian and topical excerpts from "the horrors of everyday life."

Sourcing prevalent avenues of modern Japanese culture like anime, Manga, and yokai horror films, Kenichi Yokono’s meticulous carvings contrast fraught notions of globalization and consumerism with the overwhelming "cuteness" (or kawaii) found in popular Japanese consumer culture. Phantasmagorical and raw in nature, Yokono’s work is rife with disturbingly ominous overtones and explicit imagery, steeped in both ukiyo-e painting traditions — à la Hokusai — and the uninhibited nature of American skate culture. Referencing possibilities of sex, death, and the paranormal, his practice confronts the complex relationship between time-honored and progressive Japanese customs through a similarly polarized color palette — referencing the (oftentimes) stark contrast between past and present.

Born in 1972 (Kanazawa, Japan), Yokono was trained at the Kanazawa College of Art (Japan). He has had solo exhibitions in Tokyo, Los Angeles, Vienna and Amsterdam, among numerous international group shows at venues such as the Torrance Art Museum (CA), The Ueno Royal Museum (Tokyo), Mori Museum (Tokyo), Suzaka Manga Museum (Nagano), Hilger Contemporary (Vienna), and Joshua Liner Gallery (NY). He has participated in residencies at the McColl Center for Visual Art (NC) and the International Studio and Curatorial Program (NY), and was the recipient of the 2005 Asian Cultural Council Fellowship award, as well as the Tom Eccles Prize (NY). His work is included in the collections of the West Collection (PA), The Pigozzi Collection (NY/SWZ), and Progressive Collection (OH) among others. In addition to Mark Moore Gallery, Yokono is also represented by Micheko Galerie, a German gallery with a focus on 21st Century Art from Japan. The artist lives and works in Tokyo, Japan.