Farid Rasulov Hyo Myoung Kim Jane McAdam Freud Littlewhitehead Yoonjin Jung
C99 Art Project, 99 Chamberlayne Road, Kensal Rise, London NW10 3DN
December 2011 – January 2012
By Appointment Only
Boundaries is a collaboration between Gazelli Art House and C99
Art
Project
run
by
the
architectural
company,
Newman
Zieglmeier.
The
exhibition
looks
at
the
creative
limitations
(boundaries),
if
any,
imposed
through
curatorial
or
architectural
briefs.
Through
context,
material
and
artistic
process,
the
exhibition
explores
the
tension
between
art
and
architecture.
Boundaries
focuses
on
the
works
exhibited
throughout
2011
by
Gazelli
Art
House
and
tells
a
story
of
obstacles
the
artists
had
to
overcome.
For
Gazelli
Art
House’s
inaugural
exhibition
in
Febuary
2011
Farid
Rasulov
was
commissioned
to
produce
a
7-‐
metre-‐long
painting
spanning
across
five
panels
of
canvas.
The
sheer
size
of
Eggs
(2010)
demonstrates
the
time
and
effort
put
into
the
intricately
detailed
work.
Having
a
medical
background,
Rasulov
faced
a
series
of
consequent
constraints
while
discovering
and
seeking
his
artistic
talent.
This
is
visible
through
his
work
Untitled
(2010)
representing
the
combination
of
his
medical
past
and
his
artistic
present.
In
Collective
C
(2011)
Hyo
Myoung
Kim
sourced
1200
images
of
fireworks
online
in
order
to
create
a
perfect
and
ideal
single
image
of
a
firework.
The
restrictions
imposed
by
internet
also
highlight
the
importance
of
time
-‐
the
search
ended
once
there
were
no
other
images
available
at
that
time.
Jane
McAdam
Freud
uses
the
traditional
mediums
of
clay,
stone
and
bronze
in
works
which
are
erotic
and
psychologically
charged.
Stone
Speak
1
(2010)
reveals
human
limitations
or
the
paradoxical
relationship
between
the
physical
and
the
emotional
and
the
boundaries
within
which
this
co-‐existence
thrives
or
withers.
Littlewhitehead's
Splash
(2011)
–
a
PH
paper
exposed
to
acid
-‐
challenges
the
inherent
limitations
of
materials
used.
The
duo's
accompanying
sculptural
pieces
look
at
the
extent
to
which
our
definitions
of
artworks
explain
or
portray
the
artists'
intentions.
Deadwood
(2011)
is
a
sculpted
collection
of
ashes
of
famous
modern
artists’
monographs.
The
work
questions
our
valuing
system
as
to
how
far
we
can
take
our
appreciation
of
the
no
longer
living
artists.
Yoonjin
Jung's
silk
pieces
seem
to
be
floating
as
they
are
mounted
without
an
attached
back;
the
work
is
completed
by
the
space
on
which
it
is
hung.
Taking
on
the
theme
of
the
show
these
works
question
our
definition
of
and
our
relation
to
boundaries.