Galerija Fotografija

Diana Lui: The Feminine beyond

Diana Lui: The Feminine beyond

veil #13 by diana lui

Diana Lui

Veil #13, 2011

untitled #26 by diana lui

Diana Lui

Untitled #26, 1991

Monday, November 26, 2012Thursday, January 10, 2013

Ljubljana, Slovenia

Diana Lui: The Feminine beyond
26th November 2012 - 10th January 2013

Opening on Monday, 26th of November 2012, at 7 pm
The author will attend the opening.
The exhibition will be opened by the director of the Institute Francais in Ljubljana, Mrs. Anne Durufle.
Book signings by Diana Lui and Klavdij Sluban acompaying the opening.

the feminine identity and beyond

"Before they become a work of art, Diana Lui’s nudes are images of a body, but they are also the reflection of the social environment the model belongs to as well as of the history that has formed its identity to the point that the mere image of the nude is so strong, a name associated with it becomes unnecessary. We are not faced with the concept of identity in the way a government office would define it: passport size photograph, name, age, citizenship. The nude body that is revealed here, in part of whole, often has a complex history that cannot be reduced to mere informational data, rather by a few “biographical themes” or “biographèmes”– a term used by Roland Barthes – that help put together a story. We understand quickly that Diana Lui has selected people floating in a certain transit, in travels, in encounters, the type of people who live a roving life and only land momentarily at the end of long and curious journeys. Do these young women simply undress physically or through their discourse? Although it speaks highly of the art of the nude, laying bare one’s body does not disclose much in terms of identity, nor do the few excerpts of biographical notes.
The real source of identity in this paradoxical unveiling is in the eyes, their expression, their look that Diana Lui’s artistic treatment of the image and quality of the portrait lead us to. The look can be tense like a dart ready to strike, but also be a shield to protect the thoughts and sensibility of a defenseless model left there in a delicate yet sensual state of abandonment. Nature’s diversity in body shapes and forms are clearly visible in the flesh. Yet, not one body resembles another, even if a certain and fragile grace created by the art of photography, links them together. The eyes however all speak to us, they look at us to reveal a thought or an emotion. But those darts and shields are in fact a decoy; they’re not there to frighten us away but on the contrary to pull us into an interior world."
- Anne Biroleau, Curator, 21st Century Photography Department, Bibliothèque Nationale de France

The feminine beyond is a photographic and artistic exploration of today's feminine identity dealing specifically with two themes : the nude and the veiled. Far from being a feminist criticism on society, these photographs seek to re-define our notion of identity, more specifically the "identity" beyond all identities, the inner and original self within us when first born into this world: the primordial self. As an artist with multiple ethnic, cultural backgrounds and nationalities, the belief in the existence of the inner primordial self is essential to my research on our contemporary identity today.
Throughout history, the body has been mythified, sacrificed, sanctified, idealized, objectified and modified. The woman’s body in my day and age has continued to be idealized, treated as an object of desire and subjected to transformation whether through clothing, make-up, dieting, extreme exercise, plastic surgery, tattooing or piercing. With the onslaught of globalization, the female body has become more and more homogenized, giving room only for a few possibilities to be an accepted ideal body type.
The series of women portraits posing nude in closed intimate spaces or outdoors in nature is part of my research regarding the female body and identity for the last 20 years. Having begun with self-portraits in the late 1980’s, my search for identity as a young woman with a multiple-cultured background grew into a more universal search. The female body has never truly belonged to the woman herself as an individual but as an idealized form to mold herself to. My research is centered on returning women back to their original bodies, hence their original selves or the inner primordial self. I prefer to call these portraits “naked” portraits of women individuals rather than “nude portraits”. The state of being “nude” has always been dressed up to fit the latest trends in civilization whereas the state of being “naked” presents the body as it is, without any preconceptions of beauty or what is accepted by society.
In esthetic contrast to these naked portraits, I have begun a photographic research since 2009 on the diverse and rich symbolic meanings the veil possesses and how it is worn by different people from different cultural backgrounds today. Inspired by the obsessional photographic work on women’s costumes in Morocco by famous French psychiatrist Gaëtan Gatian de Clérambault (1872-1934) and through a personal documentation of the recurring semantical structures of the veil, I am seeking to unmask the very essence of its multiple meanings, possibly finding the "essential or universal veil", hence giving clues to our complex existence.
The meticulous and intuitive process of photographing these women with a large format camera is not so much a capturing of the moment as it is an exchange of experiences, intimacy and trust between artist and model where it is revealed that inner self. These portraits whether naked or veiled, show women for who they simply are, and in this simplicity and essentiality, there surfaces an untainted, natural aura of the divine. These portraits are modern icons of today, offering infinite ways and possibilities of being and mutating. Unlike the female icons of the past, these modern icons offer the possibility of freedom from past taboos and expectations. These portraits give women the possibility to re-possess their body once again, and in photographing them and exhibiting them, enhance and perpetuate their individuality. Rich, complex and unique, each woman and her body are transfigured, making her whole, truly feminine and beyond.
- Diana Lui

Diana Lui is an artist, photographer and filmmaker working between Europe, North Africa, the United States and Asia. A master with the 8x10 inch view camera, Diana Lui develops long term photographic and artistic projects over several years. "Intimate Portraits", a project on today’s " hybrid generation of new nomads who have lost their roots and origins due to the onslaught of globalism " was initiated 20 years ago and continues to develop to this day. In the history of photography, Diana Lui’s work can be compared to that of August Sander’s portraits of the German people. However, where both their black and white portraits are subtle and realistic, Lui takes off from August Sander’s objectivity with a lyricism and sensitivity of her own interpretation. The harmonious combination of masculine objectivity with a feminine lyricism makes her work unique among the world of portrait and art photography today. Her latest project explores the « veil and its universal semantics in Europe, the Orient and Asia. Lui's monumental portraits of people, landscapes and trees have graced some of the most prestigious museums in the world - Guangdong Museum of Art, Shanghai Art Museum, Fototeca de Monterrey in Mexico, Museo de Bellas Artes Caracas in Venezuela, Musée de la Photographie de Charleroi, etc. Her training in both fine arts and photography make her a versatile artist in mediums other than photography. In recent years, she has expanded into installation art from creating works in-situ inside museums and outdoors on cultural and historical sites.