Fraenkel gallery is pleased to announce the exhibitions Peter Hujar: Love & Lust and Nan Goldin: Nine
Self-Portraits, to be presented January 4 – March 8, 2014.
The work of Peter Hujar (1934–1987) is revered by artists, yet still something of a secret to the wider art public.
His photographs dealing with sex and eros—pictures that are among his finest and most radical work—may be
responsible in part for the sub rosa quality of his reputation. Fraenkel Gallery will present the first exhibition
and publication to focus on Hujar’s photographs of love and lust.
For Hujar, love and lust were central preoccupations, the primary engines of his creativity. The nearly 30
black-and-white photographs in the exhibition, made between the years 1967 and 1986, include men depicted
in the highest pitch of orgasm, as well as perceptive portraits of fellow artists such as Merce Cunningham and
John Cage, David Wojnarowicz and Lynn Davis.
Twenty-seven years after his death, certain of the photographs will still make many viewers uneasy. Hujar’s
view of the human body was uninhibited and uncompromising, but his most original work broke new ground
in capturing eros and eroticism. [Note: the exhibition includes sexually explicit images.]
Peter Hujar: Love & Lust will be accompanied by an 82-page, illustrated catalogue ($45). Although individual
works have been seen in survey exhibitions, they have never before been published as a whole. The catalogue
also features an essay by Vince Aletti and an interview with Fran Lebowitz.
Among the many photographers Hujar influenced is Nan Goldin, who wrote in the 1994 catalogue, Peter
Hujar: A Retrospective, “He was a magician, he hypnotized his subjects. He never forced exposure, he seduced
people to want to reveal all to him.” She added, “He taught so much to me and everyone who knew him…we
went through periods of trying to work in each other’s style. I think it changed both of us.”
Concurrently with the Peter Hujar exhibition, Fraenkel Gallery will present Nan Goldin: Nine Self-Portraits,
featuring recent photographs never exhibited before, as well as diaristic and contemplative works spanning
back to the 1990s. With her characteristic rich colors, deep shadows and lush textures, Goldin shares very
personal images of desire, intimacy and introspection.