CAI GUO-QIANG (Copenhagen)

CAI GUO-QIANG (Copenhagen)

installation view of 'a clan of boats', faurschou foundation, copenhagen, 2012. by cai guo-qiang

Cai Guo-Qiang

Installation view of 'A Clan of Boats', Faurschou Foundation, Copenhagen, 2012.

Price on Request

Thursday, September 6, 2012Thursday, January 31, 2013

Copenhagen, Denmark


Cai Guo-Qiang 'A Clan of Boats' extended until January 31 2013
As a result of the overwhelming interest in Faurschou Foundation's opening exhibition of Cai Guo-Qiang, the exhibition has been extended until January 31 2013.

Extraordinarily open Saturday November 24: Book release of 'A Clan of Boats'
The book 'A Clan of Boats' will be published at the beginning of December 2012.
The book is a survey of Cai's work with the boat as a theme throughout his oeuvre, accompanied by Cai's own commentary on the works. The book will include two interviews of Cai by Hans Ulrich Obrist, an essay by the British art historian Karen Smith, a curatorial statement by Jannie Haagemann, a fore-word by Luise and Jens Faurschou, as well as generous photo documentation from Cai's research trips in Denmark, and of the gunpowder drawing process in connection with the creation of 'A Clan of Boats', the exhibition itself and its works.

For Faurschou Foundation's inaugural exhibition, Cai Guo-Qiang has referenced the foundation's new location in the Free Port of Copenhagen, as well as the country's historical and cultural connection to the sea. The exhibition revisits several prominent themes in Cai's oeuvre, such as the ocean, voyages, and cross-cultural encounters.

The exhibition includes a series of newly commissioned gunpowder drawings inspired by Denmark's nature, culture, and history. It also highlights 'Reflection - A Gift from Iwaki' (2004), part of the foundation's collection, as the centerpiece, surrounded by its own reflection and that of the drawings from the mirror flooring.

On he day of the opening, Cai ignited thousands of mini rockets from a small traditional Danish boat 'Freja' on the water behind the foundation, in front of an enthusiastic crowd from all over Denmark and beyond. The scorch marks from the explosion transformed the boat into a three-dimensional gunpowder drawing, and this sculpture subsequently becomes a part of the exhibition, generating a dialogue with 'Reflection - A Gift from Iwaki'.

Three videos are also shown in the gallery, documenting the process of the exhibition: Cai's site visits to different locations in Denmark and the making of the gunpowder drawings; the story of 'Reflection - A Gift from Iwaki', and the preparation and explosion of 'Freja: Explosion Event for Faurschou Foundation'.

Since childhood, Cai has held a special fascination with boats, a familiar symbol he grew up with in the harbour city of Quanzhou, China, which appear constantly throughout his repertoire. 'A Clan of Boats' allows Cai to recount a number of them, which he refers to as his 'children'. Among them is the Faurschou Foundation's own 'Reflection - A Gift from Iwaki'.

A wreck filled with broken white porcelain from Dehua in Cai's hometown, the work has been shown at many important museums around the world. Each time the team of Iwaki volunteers, who excavated the boat as a gift to commemorate their friendship with Cai since 1994, would arrive on site to install the hull, just as they did for 'A Clan of Boats', and they are very much part of the work.

A visit to the Viking Ship Museum on the Roskilde Fjord inspired the artist to construct a conversation between 'Reflection - A Gift from Iwaki', the Viking shipbuilding practice, and the Danish landscape. The sand dunes covered with lyme grass under the dramatic clouds along the shore of northwestern Jutland intrigued Cai, and the custom of fishermen taking their boats ashore rather than docking at the port. The Nordic shipbuilding tradition also brought Cai to Jægersborg Hegn, where centuries-old oaks stand, originally cultivated for an invincible fleet. Nearby in the Jægersborg Dyrehave, a horse-drawn carriage ride showed the artists herds of deer grazing peacefully in what was once the royal hunting ground. The experience from Cai's local excursions culminated in the gunpowder drawings enveloping the gallery space, produced entirely on site with the assistance of local volunteers.

Before exhibiting at some of the most prestigious museums in the world, Cai held his first solo exhibition in the Western world in Denmark. When Louisiana Museum of Modern Art presented 'Flying Dragon in the Heavens' in 1997, Cai stayed at the museum's boathouse for over a month. It was then he developed an interest in the history and seafaring traditions of the Vikings.

Cai Guo-Qiang was born in 1957 in Quanzhou, Fujian Province, China. Trained in stage design at the Shanghai Theater Academy, his work has since crossed multiple mediums within art, including drawing, installation, video and performance. While living in Japan from 1986 to 1995, he explored the properties of gunpowder in his drawings, an inquiry that eventually led to his experimentation with explosives on a massive scale and to the development of his signature explosion events. Drawing upon Eastern philosophy and contemporary social issues as a conceptual basis, these projects aim to establish an exchange between viewers and the larger universe around them, utilizing a site-specific approach to culture and history.

Cai was awarded the Golden Lion at the 48th Venice Biennale in 1999, the 7th Hiroshima Art Prize in 2007, and the 20th Fukuoka Asian Culture Prize in 2009. He also served as Director of Visual and Special Effects for the Opening and Closing Ceremonies of the 2008 Summer Olympics in Beijing. Recently his first ever solo exhibition in a Middle Eastern country, Cai Guo-Qiang: Saraab opened in December 2011 in Doha, Qatar. In spring 2012, the artist appeared in two solo exhibitions: Cai Guo-Qiang: Sky Ladder (Museum of Contemporary Art, Los Angeles) and Cai Guo-Qiang: Spring (Zhejiang Art Museum, Hangzhou, China). He currently lives and works in New York.

Faurschou Foundation is a privately funded art foundation in Copenhagen and Beijing established by Luise and Jens Faurschou. For 25 years they have mounted exhibitions of works by internationally recognized artists both from Denmark and abroad. Over the years, Luise and Jens Faurschou have assembled a notable international collection, and are planning future exhibitions with some of the world's foremost contemporary artists, curators, museums and galleries. Both exhibition spaces are free and open to public.