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Andres Serrano: Anarchy at The Armory Show 2012
Pier 94, Edward Tyler Nahem Fine Art - Stand 604    Mar 8 - Mar 11, 2012

Edward Tyler Nahem Fine Art, New York, will debut a powerful new series by contemporary artist Andres Serrano at The Armory Show, March 8-­‐11, 2012. Entitled Anarchy, this series is comprised of photographs that are challenging, gripping and, true to the artist, somewhat controversial. As the artist himself states, "Anarchy subverts the innocence of childhood by using the archetypes of early youth to explore a sinister world of make believe. It is the invented universe of the young mind and the old mind as it straddles the line between the conscious and the unconscious, the playful and the critical, the rational and the unconscionable.”

Throughout Serrano’s 30-­‐year career and numerous celebrated series that include Immersions, Bodily Fluids, Nomads, The Klan, America, and The Morgue, Serrano has created a distinct visual language to propose questions about consumerism, religion, society, sex and death. Conceived in 2011 for Edward Tyler Nahem Fine Art, Anarchy relates to Serrano’s well-­‐documented body of work in its formal aspects: film is shot in a straightforward photographic technique, without the use of digital manipulation, achieving images that are equally iconic and timely, beautiful and mortifying. In Anarchy, Serrano departs from photographing people directly, instead employing toys and figurines, selectively lighted and in silhouette, to explore his chosen subjects. Germano Celant writes about Serrano’s 2011 photographs in silhouette, Holy Works, from which this series follows, in the forthcoming monograph of the same title (Damiani Editore, Feb. 2012). Referring to these works as “Serrano’s sublime shadows”, Celant remarks that “… he wants to deal with the images that have structured our thought, be it worldly or transcendental: those ‘icons’ on which have been molded the idols, in negative or in positive, of the heuristic and human values of existence.”

Works in the new Anarchy series include American Monument, Celebrity, Level of Disobedience, Made in China, Oedipus, Rage, The Hanging, The Prisoner, and Traitor. These compelling and provocative images range from a paparazzi-­‐surrounded Jesus in Celebrity to the perplexing figure of a gesticulating soldier in Traitor (is he a “traitor” or is he exposing one?), from the dangling silhouette of a uniformed body in The Hanging, to a girl brandishing a pistol, execution-­‐style, in Level of Disobedience. The subjects, staged or suspended in the studio with Plexiglas and colored backgrounds, are eerily seductive, their lack of overt detail facilitating an appreciation based on each viewer’s specific vantage point.

As is Serrano’s method, references and titles are often attributable to the photographed objects themselves. Made in China depicts a silhouetted figure with the manufacturing stamp "Made in China" and Freud and the Big Vagina depicts a figure labeled "Sigmund Freud." Dissonance and disruption are caused when the viewer realizes that Made in China depicts the Statue of Liberty, a symbol of the United States, which, through global commodification, has now become part of China’s national exports. Sometimes the titles signify the theme of the work, as in American Monument, which the artist says, “epitomizes and encapsulates Iwo Jima and every monument of war and death.”

Andres Serrano (b. 1950, USA) is considered one of the most important contemporary artists working today. His work has been exhibited extensively in solo and group exhibitions since the 1980s. Serrano’s photographs are held in the permanent collections of many public institutions, including the Art Institute of Chicago; Institute of Contemporary Art, Boston; Israel Museum, Jerusalem; Museo Nacional Centro de Arte Reina Sofía, Madrid and The Whitney Museum of American Art, New York, among many others. Serrano’s extensive bibliography includes numerous catalogues and the oversize monograph America, published by Taschen in 2004 and the forthcoming Holy Works, by Damiani Editore, to be published in February 2012.

Please contact Janis Gardner Cecil for further information: Janis@etnahem.com or 212.517.245

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